[…]ian was, that the Eastmancolor negative would dominate the story, would kind of punch holes in the story in its brilliance, in its cleverness, in its variety of colour. And the way Brian tried to deal with that was… he still had the movie lights in the room on the set with the actors but just before[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
HP 0572 Laura Mulvey – Transcript.NB Ums and ers have generally been omitted.Subject: Laura Mulvey[LM] Interviewer: Emma Smart (BFI) [ES]: Date 27th November 2007Other crew: Christophe Dupin[CD], cameraCD [Inaudible, possibly Come on In] off camera.00.04 ES:[…]
Tony Lawson Side 1 Linda Wood 0:00 Tony Lawson, film editor, being interviewed by Linda Wood on the fifth of December. 2000 tape interview for can you say where you were born? Tony Lawson 0:16 Yes, I was born in London, in Paddington. My mother w[…]
[…] Aldrich had been the best assistant director in Hollywood during the post-war period; seeing Aldrich work had a great impact upon KA; KA worked on a variety of films, colour and B&W; Robert Siodmak and The Rough and the Smooth; a few small picture for Cubby Broccoli and Tony Newly; The Trials o[…]
BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]
BECTU History ProjectInterview no: 357Interviewee: Peggy Hyde-Chambers Interviewer: Alan LawsonNo of tapes 1 Duration: 1:09:58COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview materi[…]
