Tilly Day

[…]4:32 PMBIOGRAPHY: Tilly Day worked on over 300 British films between the 1920s and 1970s, most particularly as ‘continuity girl’. Her career began at Walthamstow Studios in the 1917 and she received her first credit in 1935 for The Mystery of the Marie Celeste. She joined the Auxiliary Territorial S[…]

Tilly Day

[…] was, [pause] there were quite a lot in... There was Walt Disney - now there was June - June Frost, and […]

Terry Marcel

[…] we all went freelance. So that's the sort of beginning.Speaker 3  3:29  Right? So you worked very on the 21st to the film's 1963. It was a Walt Disney film. He was working on the three lines of ThomasUnknown Speaker  3:39  C. Pacino. That's correct. Yeah.Unknown Speaker  3:[…]

Joe McGrath

[…]metimes cast the same people and that?”  Its because you know that you’re gonna get something back. I mean the thing about acting - John - Hou - Walter Houston and John Houston told me his father Walter Houston said “If you’re gonna cast me - cast me against type”  - it means I - I - other[…]

Bill Cotton

[…]work at Chapels and there I learned more about music publishing because I was under Teddy Hearns and he was a great music publisher. And I worked for Walt Disney Music Company under them, and Iforget, and Chapels itself.And then I met up with, over a period of time I got to know a bloke called Johnn[…]

Richard (Tony) Arnell

[…]iming for a film you 've never seen. This is animation .AL: I said to John.I said to John, listen, why don't you show me the film first. He said well Walt Disney always did it like that. I said what does that mean. He said it's easier for me, he said in Hungarian.I’ve learnt how to do it but it's bl[…]

Christopher Challis

[…]est films, the adaptations aren't as good. I think all the original things are so wonderful. A Matter of Life and Death is as unique to the cinema as Walt Disney. You couldn't do it in any other medium. It had to be that way. They virtually wrote that script in four days on a boat from America. They[…]
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