[…]for the BBC, I was employed by the BBC to make this.Norman Swallow: Ah, by the BBC directlyJulia Cave: Absolutely, but it’s a co-production with Time-Warner.Norman Swallow: We’ve had many of those of course. In the past.Julia Cave: We did indeed, absolutely. And of course, Bob is the art[…]
[…]p;a moment. He came down the line when the picture was being shown and the Warners. Right. Yes. It had its premiere. Yes. When they had the line outside an[…]
[…]three years. He is anaffectionate figure to us, to Larson, Love and myself.Teddington was Warner Brothers at that time wasn't it?Yes.Who was in charge of the whole studio? Irving Ascher?Yes and&n[…]
[…]e in the late eighties, I think it got to sixty-one. DB: Really! PB-C: Yes, yes, quite extraordinary. DB: Indeed, that was bigger than Warner Brothers. [Consults notes]Tell us the Truth.The Front Garden. A series, endlessly repeated. Director: Edward Mirzoeff PB-C: Yes. I think –[…]
[…]sp;Darrol Blake 17:14 Was it an English film? Kent Houston 17:15 It's an American film, a Warner Brother's picture, and it was shot in Philadelphia. And yeah, mainly in Philadelphia. Greg Hoblit was the director. Darrol Blak[…]
[…]hat time still partly British.Mm, mm.But there was the aim and desire to get into the American market.HARRY COURCHA 38Yes, and when did you first get Warner’s work? [0:40:00 444]Warner came quite, a fair bit later actually.Ah.But, mm, there’s a lot of ins and outs here, it will take a long time to t[…]
[…]y there to be broken as well, do you think?FY: Oh yes, I mean for instance I did a picture with Sidney Lumet just after colour came in and it was for Warner Brothers. And Sidney Lumet said “It’s a pity, you know, it really should be black and white, it’s a grim spy story and colour is just going to […]
[…] COURCHA 39 Yes, and when di d you first get Warner’s work? [0:40:00 444] Warner came quite, a fair bit […]
