[…]unior capacity, working with these two people that I sort of thought the world of met just as a kid. Another person I got to know quite well was Jack Warner. I used to listen to him. I think a call Monday night he was talking about that a radio, this is talking about radio go before television. And […]
[…]m said to me “How much do you want?” and I said ten percent and he said “Done”. And they went away on honeymoon and Cyril Howard rung me up and said “Warner Brothers have said if they don’t have the 007 stage, they’re not coming to Pinewood to do Little Shop of Horrors”. “I’ll try and get […]
[…]Four plays about the sale of a house. GG: Oh, I wrote that. DB: Ah. GG: Or I wrote one of them. DB: Beg your pardon. Yeah. Johhny Warner [inaudible] GG: Yeah, goes on and on. Boring! DB: What a life! Oh alright. Come back to: The Artois. Actually you are back at The Nat[…]
[…]e picture.DB: No problem with the union?PM: Yes. I had to be called a visual consultant. And I had a terrible time with Gene AllenDB: Oh, sounds like Warner Brothers.PM: Yeah well Gene Allen didn’t like us because he did Bhowani Junction. As an Art Director, in England.DB: MGM, yes.PM: And was given[…]
[…]n work was completed in Istanbul.Side 6 – BLANKSide 700:00:00 – 00:47:00 On Morgan and dressing the cast; JR discusses the gorilla suit worn by David Warner; JR talks about the costumes worn by Vanessa Redgrave on the film; whilst shooting Morgan JR began designing costumes for Mademoiselle which we[…]
[…] Denham closed – the last full picture was Treasure Island (dubbed on Christmas Eve 1951); the last scenes shot were for Hornblower; BN then moved to Warner Brothers at Teddington; African Queen was made at Teddington; BN then moved to Shell Film Unit for three weeks; BN never worked freelance.00:32[…]
