Search Results for: Warner British

[…] designs. In the context of contemporary Hollywood costume culture, Helen Warner has detailed the professional concerns expressed over ‘costume designers […]

[…]ized. Well moreSpeaker 1  38:59  or less, yeah, yes, more or less there was only vintons who actually did this sort of thing. You know, Ted Warner. Ted warring them, Well, Ted Ted Warner must have come to vintons after I'd left and talking about Ted Warner I did see in the cinema veterans.[…]

[…]ting out several things also at that time. One of the things also. Was needle where, oh yes, one of the one of the thrills was, now this will date it Warner Brothers first big, 16 inch discs they usedRoy Fowler  35:18  well in the States. It was for music on Don Juan. Or Don Juan, has ISpe[…]

[…]t End. Unfortunately we showed the film at Cannes which was a big mistake, because Cannes is a totally bourgeois occasion really and then the head of Warner Brothers panicked and insisted on cutting the film for its American release and of course it didn’t make the slightest difference, it never doe[…]

[…] a totally bourgeois occasion really and then the head of Warner Brothers panicked and insisted on cutting the film for […]

[…] Screen Services Realist ITN Challenge Productions GB Instructional The Guardian Warner British British Film Institute Tempean Milesian Productions Canal+ UK Gateway […]

[…] crab oscillator. And in the end I sold it to Warner Brothers - mind you, only I could work it, […]

[…]es, yes, quite advanced for its time. You see, my camera crane, little baby camera crane, was before the crab oscillator. And in the end I sold it to Warner Brothers - mind you, only I could work it, they didn't realise that! You had to be an acrobat to work it and I demonstrated it, you see. And on[…]

[…] yes. That was the whole thing, you know. But the Warner Brothers at that time, they carried so much weight […]

[…]  Jonathan Balcon  24:48  Which is how he got his hands on Dirk Bogard for instance in "The Blue Lamp".  Jack Warner, of course, was always a great standby. And I think in many ways um Jack was eternally grateful to Mick for "The Blue Lamp" and it's one of tho[…]