[…]ting out several things also at that time. One of the things also. Was needle where, oh yes, one of the one of the thrills was, now this will date it Warner Brothers first big, 16 inch discs they usedRoy Fowler  35:18  well in the States. It was for music on Don Juan. Or Don Juan, has ISpe[…]
[…]  Jonathan Balcon  24:48  Which is how he got his hands on Dirk Bogard for instance in "The Blue Lamp".  Jack Warner, of course, was always a great standby. And I think in many ways um Jack was eternally grateful to Mick for "The Blue Lamp" and it's one of tho[…]
[…]he early HARRY POTTER movies, a shrewd business decision on the part of the Duke as it not only brought in immediate “location shooting revenue“ from Warner Brothers Studios who made the film series but in later years boosted visitor numbers to the Castle and its grounds thanks to visits by Potter F[…]
[…]re.SPEAKER: M1We never got involved with the rank organisation really or the John Davis nonsense. None of that really affected us. This was I think a Warner Brothers film or something like that I can't remember exactly who made it but apart from the fact that we had all this political trouble within[…]
[…] who worked with him a lot was my assistant Peter Bolton who unfortunately died about a year ago. And he followed Arthur when he left BIP and went to Warners. So I mean, Arthur was somebody who I worked with and he was...I think he had quite a lot of potential and it was most unfortunate that he was[…]
[…]' with Sylvia Sidney and that was when Robert Donat was supposed to play it, and he was awfully sick. That was why he didn't play 'Captain Blood' for Warner Brothers, because he was suddenly sick. Because of this we had to play John Loder, who was a very, very good- looking man, but not Robert Donat[…]
[…]es, yes, quite advanced for its time. You see, my camera crane, little baby camera crane, was before the crab oscillator. And in the end I sold it to Warner Brothers - mind you, only I could work it, they didn't realise that! You had to be an acrobat to work it and I demonstrated it, you see. And on[…]
[…]rn to Hollywood, but by the time I could have gone back, for one reason and another, the war had come and that was the end of that. I was working for Warners when the war broke out, I could have gone and worked for Warners at Burbank but I couldn't get over there.Roy Fowler: Ah hmm.Eddie Dryhurst: S[…]
[…]funny little man who was the accountant cum studio manager, who's name I don't remember now.AL: Wasn't that Doc Sullivan?[?]Kay Mander: No. He was at Warner Brothers.Sidney Cole: He was at Warner Brothers, yes, at Teddington...KM:... where I never worked.Sidney Cole: When did you start - you must ha[…]
