[…]e between 1925 and so Vidaphone had been formed by that time, the head of Vidaphone was Walter Rich, and the chief engine, The chief projectionist in Warner Brothers was Jack Kiley and so Rich, and I and Jack Kiley and someone from the labs, I think it was Maxfield, I think, but we don't remember, d[…]
[…]:33 We'll have to try and get to him then, because he obviously must have seen a great deal of history. Well,Speaker 1 33:39 he saw Warner. Did, but in our we've always been good friends. See John.Roy Fowler 33:49 Where does he live in this country? I'veSpeaker 1 […]
[…]e? I can'tUnknown Speaker 28:37 remember whichSpeaker 3 28:39 we had dear Harry Fowler on it, oh yes. And I think his Oh Jack Warner and Alistair sim. I'd forgotten them. Then another gorgeous picture, Nicholas Nickleby, which cavalcamps He did, and again, cheer joy for me, b[…]
[…] the lifeboat, but how long did it take altogether?Pat Jackson: From the time I did the research on the East Coast Convoy to the time it was shown at Warner's, it was a two year job.John Legard: Two years? Yes...Pat Jackson: Including the writing, the script, the casting, editing... because I edited[…]
[…];Roy Fowler:Yeah I was doing yeah because I remember we met in The Belgravia Pub and strangely enough in memory it is always rather like a scene in a Warner Brothers gangster film with just a single light shining down on a table I'm sure it wasn't like that but I associate it with blackout. So …Rodn[…]
[…]p;Andy Worker: I think she was - it's strange to say - I think she was very uncertain of herself. Roy Fowler: Yes. Did she expect the Hollywood, Warner Brothers-type treatment? Andy Worker: I wouldn't think so. Roy Fowler: She didn't? Andy Worker: No. Roy Fowler: So what, yo[…]
[…]d this 'G-B Acoustic' thing, but at the same time we had, in there, we had Western Electric engineers installing the Vitaphone system, you know, with Warner Brothers. And we also had this double header stuff which was - at the side of the projector we had the sound unit. But whether it was us and no[…]
[…]called Woodfall Films in order to make “Look Back in Anger” into a movie. And they did it really, it was Warner Brothers' money I think. They met in America a fellow called Harry Saltzman who was not, who they thought was an important […]
