Search Results for: Warner British

[…]ed Amelia and the angel, which is one of the Philips on I think it's on the the BFI as devils compilation of the compilation but the longest cut that Warner Brothers would allow them to use. He's got the media and the angel as well. And he wanted a music track didn't quite understand him. He didn't […]

[…]ed Amelia and the angel, which is one of the Philips on I think it's on the the BFI as devils compilation of the compilation but the longest cut that Warner Brothers would allow them to use. He's got the media and the angel as well. And he wanted a music track didn't quite understand him. He didn't […]

[…]verything, that we weren’t going to make any money out of it, that it was just a film that had to be made and, er, I spoke to some guy, I remember at Warner Brothers and it was actually he, he was a vice President, and he would say well the publishing rights are with me and not David, so I will [ina[…]

[…]get this together, why not? So I went off to RADA and suggested it and they said, okay, and their final year students consisting of people like David Warner came and auditioned for me. I didn't cast David. To this day, he won't forgive me because he wanted to play the part of Britannus. I did cast i[…]

[…]as being made calledA Fire Has Been ArrangedMonth Per Month: That's a good line. I was there until about 1934, by which time BasilEmmott had moved to Warner Brothers, Teddington. And he got me ajob there, I think asa camera operator. And that's funnily enough where I first met Peter Newbrook. And he[…]

[…]n Swallow: And Waldo Salt wrote it again.   John Schlesinger: Waldo Salt wrote it. And I nearly abandoned it because it was originally with Warners and they clearly didn't want to spend enough money on it and started to get cold feet long before it finished. And I said having been through […]

[…]ed. He wasn't prepared to believe it, and he satisfied himself by going up the ladder and having a look. That was one of the most beautiful sets. Tom Warner and Tom used to have a sketch, and he had a pin hole, and you looked through the sketch, and if the set had been built right, it all fitted on […]

[…]ntury-Fox, which was given at the old Chaplin Studios in the center of Hollywood—a huge picture of really sensational quality. At the same time, Warner Bros. opened up, about March 1953, with their first 3-D film, House of Wax, in Eastmancolor. Still a “B” picture, but well-made. And, again, ex[…]