[…]for the BBC, I was employed by the BBC to make this.Norman Swallow: Ah, by the BBC directlyJulia Cave: Absolutely, but it’s a co-production with Time-Warner.Norman Swallow: We’ve had many of those of course. In the past.Julia Cave: We did indeed, absolutely. And of course, Bob is the art[…]
[…]icular time, while I was there,Unknown Speaker  4:03  they started testingUnknown Speaker  4:06  three well known people to go to Warner Brothers. One was Erwin Flynn.Unknown Speaker  4:12  One wasUnknown Speaker  4:15  Thompson, I think it was and the other o[…]
[…]e in the late eighties, I think it got to sixty-one. DB: Really! PB-C: Yes, yes, quite extraordinary. DB: Indeed, that was bigger than Warner Brothers. [Consults notes]Tell us the Truth.The Front Garden. A series, endlessly repeated. Director: Edward Mirzoeff PB-C: Yes. I think –[…]
[…]sp;Darrol Blake  17:14  Was it  an English film? Kent Houston  17:15  It's an American film, a Warner  Brother's picture, and it was shot in Philadelphia. And yeah, mainly in Philadelphia. Greg Hoblit was the director. Darrol Blak[…]
[…]y there to be broken as well, do you think?FY: Oh yes, I mean for instance I did a picture with Sidney Lumet just after colour came in and it was for Warner Brothers. And Sidney Lumet said “It’s a pity, you know, it really should be black and white, it’s a grim spy story and colour is just going to […]
[…]e looked after me, and showed me around and introduced me to various other people and various other special effects people, you know, at Columbia and Warner's and that sort of thing. And we it was a little convention type of thing, which is, which is quite challenging ideas. Quite good. But I think […]
[…]actually I think it was based on Piccadilly Circus there and newsreels rockin usual type of thing. But it was all animation. You know, we all the old Warner Brothers, Road Runners. And that's where I think we got a lot of influence. A lot of that influence and income from the Bugs Bunny films Road R[…]
