[…] art director, or not every other but all bar three, would have been full of suggestions as how to get it right. The only suggestion I got in Collier Warner was is him biting his nails down to the knuckles, and it really did look better. And I turned to him said, Colin, that looks better than this. […]
[…]n, so if you were a focus puller you saw yourself as an operator and then lighting cameraman, in the States, especially those working at say Metro or Warners, they were very content to be a camera operator all their working lives, so you had 60 year old operators, marvellous at what they did and tha[…]
[…]was very little technique involved in that. Again Sammy was making these for New Era who were handing them to United Artists had one of them, I think Warners had one of them, this was filmmaking really at its worse. It was £1 a foot. And on that particular film it was alleged, I don't know how true […]
[…] I spo ke to so me guy, I remember at Warner Brother s and it was actually he, he was […]
[…] them to United Artists had one of them, I think Warners had one of them, this was filmmaking really at […]
[…]mall fashion I suppose and it grew. There was no question we covered the whole industry. I think the only people we didn’t cover at the time was Warner Brothers, but even here Warner’s would occasionally say ‘Well, come on in’,because we were, you developed a kind of expertise.Y es.You, you kne[…]
[…]nt characters and to survive. America ... who is that great actor? Paul Mooney. Now Paul Mooney survived in America by becoming different people, for Warner Brothers, wasn't it? I mean, it's almost impossible. Almost impossible. And in Britain, of course, Alec Guinness has, and Peter Sellars has.&nb[…]
[…] that must have been at um... Tilly Day: Warners - Warner Brothers First National. Sidney Cole: That's at Teddington? Tilly […]
