Search Results for: William Fowler

[…] directors, but the.End of Side 2Side 3Unknown Speaker  0:08  Slide three.Keith Ewart  0:10  So we started doing experiments with William Andals, Bill free, all the art directors, some of whom were very hack, and people like Willie were extremely creative, but about the time comm[…]

[…] And his brother of course was Sutton the carrier who left his fortune, or most of it, a million and a quarter, to found Sutton�s Dwellings. That was William Sutton who ran a carrying business from Golden Lane in the City. My grandfather was a distiller and brewer and they both had shares in each ot[…]

[…]t. Well, we're not, no, I wouldn't say he was a pioneer in the early of early days of film, but he was about the only firm what manufactured cameras, Williamsons. I did, believe they did. They made a camera they were operating from Willesden, but, but anyway, we they use the Vinton Model H camera wi[…]

[…]w THE Barons?Fowler/Lawson: Yes right opposite the studio, yes.Bill Girdlestone: And he got a job as Lab Manager at London Films, you know, William Jury's company, who donated Glebelands, incidentally. And the first thing he did was send his son, Adolph, who became a newsreel cameraman to […]

[…]ht was all occasionally you got a oil burner  Usually it was coal burnerRoy Fowler  20:47  You said earlier that you're descended from William. So I don'tHenry Seward  20:51  know whether I haveRoy Fowler  20:56  going to ask you ifSpeaker 1  20:59  I wil[…]

[…]rrows.   And there was a big thing about the time I think about, er whatshisname, the big, a very good musician who wrote music for it all, William Walton yes and the idea was if you wanted the idea of fire you know, a big musical thing, and world war music and I happened to mention that t[…]

[…]t it was a very good thing that Paul had David Lean more or less at his elbow, which he did you see.  And er I was responsible for bringing William Walton in to do the music. There was a great deal of discussion as to who's going to do that small ballet for "Escape Me Never" and I said tha[…]

[…] ]   Transcription Date: 2002-10-01 Interview Date: 1988-08-22   Interviewers: Sidney Cole and Roy Fowler Interviewee: William Fielder     Tape 1, Side 1 Roy Fowler: This recording is copyright by the ACTT History Project. We're still at Glebeland[…]

[…]m Cagney; certainly Bogart, with the teeth like that. Muni was a serious stage actor but his seriousness he applied to films very well. Great people. William Powell and Ronald Colman, the Englishman with the velvet voice - I didn’t think he was the greatest actor in the world but [he] was very succe[…]

[…]ight. But the fact that he should have to do so I remember shocked me. The other thing they worked very closely on very fruitfully was was a composer William Walton, who may have been a personal friend of Olivier's anyway, stayed at his house when he was here. He lived in Rugby. And it was my busine[…]