[…]ment and the planet as a whole, between the environment and the way of life and the economy of countries, particularly in a deprived situation, Third World countries, that were threatened by, by famine, were threatened by drought, threatened by disease, and by pests.All these things were examined in[…]
[…]Tatler Liverpool, the Tatler News Cinema in Liverpool. That was, I see, on the 13th of January 1952. This was the first public cinema anywhere in the world to show polarized 3-D projection. The cinema screenings were a great success. Surprisingly as it may seem, our program of 3-D shorts broke […]
[…]cumentary.Did you see documentaries at that time?No, not many. But, you know, I mean it’s the usual thing I suppose, I wanted to do good for the world, I wanted to go back and rescue India from the bloody British, you know, that kind of thing. And I think that was all part and parcel of it, you[…]
[…]t of carry on with Jack Cardiff until I got back. So I said, "Well that's rather silly, because Jack Cardiff is the best Technicolor cameraman in the world - it just doesn't make sense." And Pat and I were great buddies you know, almost like brothers in fact, and I said, "Forget it - get on with it […]
[…] approaching a slum in the back waters of Notting Hill, and it was apparently I was a kid with my parents. It was a hard struggle, and when the first world war came, my father, who had not been naturalized, was given the option of either becoming a naturalized British subject and serving in the army[…]
[…] and then, then you went off in to the wide world? Yes. I..E, London Weekend? Yes, [Laughter] yes. [Laughter] Which […]
[…] the fi rst introduction I ever got to the film world, strangely enough, was... I was painting - portraits and […]
[…] because Jack Cardiff is the best Technicolor cameraman in the world - it just doesn't make sense." And Pat and […]
