[…]top of the sound department was an enormous enormous glass mat where it was quite fascinating to go up and see the artist painting in the rest of the world. So they would have an establishing shot through the glass mat. Jumping to a bit later that when they had did a similar thing on the last days o[…]
[…]orked for, Granada to start off with, and BBC. Granada was a very forward-thinking company at that time. So, it had a lot of series, likeDisappearing World and, it did do quite a few series, so, I did the Styal series as well, four films in Styal prison. And... I can’t... I think the [inaudible[…]
[…]ntle Sex" we had on approval with Clive Brook and Beatrice Lilly, and "The Gentle Sex" had Rosmond John, and then there was a bit of men of two worlds, which was directed by thermal Dickinson. And then the other thing was you also hard out occasionally, so sent off to Denham, which was quite q[…]
[…]al television service at Alexandra Palace. And I read this memo. I was now 19 I read this memo, and I said, that's where I'm going. That's Tomorrow's World. And I talked around the engineers down there and I said, Don't be a fool. You're throwing your life away. It'sa nine day wonder it'll never hap[…]
[…]u born when and your general backgroundNick Ardizzone 0:07 I was born in 1939. in Kent. It was right at the beginning of the Second World War. I was born on September the eighth, five days after the beginning of the war. My father was an artist, by the time of the outbreak of war, […]
[…]film and she would never accept this. And years later when they had a reunion of Monitor and I came having now established myself in the feature film world, she was not welcoming. Well you've used us as a back door to the film industry she said rather tight lipped I thought. Norman Swallow: You[…]
