[…] home. So it was so different. I was doing something which was theoretically not very exciting, but I've managed to make it exciting in my own little world. And when there wasn't anything going on in the dubbing theatre, some of the editors would ask me to help file their trims, which is usually jus[…]
[…] home. So it was so different. I was doing something which was theoretically not very exciting, but I've managed to make it exciting in my own little world. And when there wasn't anything going on in the dubbing theatre, some of the editors would ask me to help file their trims, which is usually jus[…]
[…]nes the one wrong one you get better at it. as you go on. anyway I did make decisions. And I think I turned the department round quietly. I've got it world renowned with the various exhibitions and promoted international exhibitions of design. Do you remember those? I'm quite interesting, in a way. […]
[…] you could say - children's films or second features things like that you see, and I worked on those. I worked on the very bottom rung of the feature world.Jim Connock : Which director do you think had the biggest influence on your career? Or which person did you think that you profited through work[…]
[…]ou didn’t have the in… and I thought, oh the art department’s not bad, of course in days afterwards you think to yourself well I’ve been all over the world, found locations and everybody comes and says oh aren’t you lucky to find this we did it. And the amazing thing is, when you saw these cameras a[…]
[…]ng stuff. I mean, I enjoyed the BBC fine but I wanted to move on in my career. So, I came to STV in telecine which was - STV was a bit of a different world to the BBC I think you could safely say! A lot of people working in STV in telecine were former projectionists. I am not taking them down but th[…]
[…]o it's in your interest to actually get that person to be good because it reflects on the Sound Recordist. You can be the best Sound Recordist in the world but if the Boom Operator is not getting anywhere close to where it wants to be then you're not going to go. You won't survive. So, I was learnin[…]
[…]ls this]. But she was sort of producer-in-chief.Charles Drazin: Yes.Manny Yospa: And she was very friendly. Because the one thing about - in the film world, everybody knows each other by their first name, from the producer to the chap who sweeps the floor, everybody is on first name terms. And [chuc[…]
