[…]tarted a radio business, which was very successful and I made a lot of money. I got a bit bored with it and I had a cousin who was making advertising films and he asked me if I'd like to join them. So I went in with them, with his two partners and him and we started in um - in fact what we did, do y[…]
[…] Eggleton, Bert Eggleton took him in and then Anthony was working with Teddy Damos as an assistant to the editor. After a year and a half he moved to Worldwide. He then decided he wanted feature film experience, I was absolutely terrified by that but you can't push people off. So off he went and he […]
[…] there occasions when Kodak recommendations weren’t always necessarily adhered to? Was there a standard practice?AM: [Certainly there were rock-solid worldwide technical standards for the Eastmancolor processes, documented in thick 3-ring binders. But if you are asking about the training presentatio[…]
[…]onderful. Tiger with the best two things in it. And part of that following that was 1958 960 IMAX centre baseball, which turned out to be an enormous worldwide success. And that was very lucky early in your career. 20th Century Fox finance that I kept on trying to get my films made by British compan[…]
[…] that's right, it was a much more of a structured business, a secure business, if you like, in the documentary field. There was Atos films, there was worldwide films, which who I also worked for after I left the Athos and they had, they had crews. There was at Athos. There were certainly three other[…]
[…]nd what a sound recordist was in those days because there were only two ways of doing it – you either went into broadcasting or gramophone records or films and it was practically unknown for anybody to be interested in such a thing.I was always fascinated by sounds and that is what I wanted to do. A[…]
[…]p;                       Q: Worldwide?00:37:30       JIM WHITTELL: UK, Canada, everywhere, everywhere.     &nbs[…]
