[…]4.SPEAKER: [Carol Owens] Yes it was. Yes. And I did a number of projects in that role, so one was a feasibility study of CD-Rom authoring because BBC Worldwide was starting to get interested in the possibilities of doing that. I did a process improvement project for Film Traffic and Film Despatch to[…]
[…]p; Q: Worldwide?00:37:30 JIM WHITTELL: UK, Canada, everywhere, everywhere. &nbs[…]
[…] that's right, it was a much more of a structured business, a secure business, if you like, in the documentary field. There was Atos films, there was worldwide films, which who I also worked for after I left the Athos and they had, they had crews. There was at Athos. There were certainly three other[…]
[…] the end. We were the last one. And even then, we kept it going afterwards. We developed the library whilst we were running it, and we made it into a worldwide setup on a very small scale, because a we had no money for advertising. We had no money to do anything about it was just catch his catch can[…]
[…]e in Kean Street and started the unit in a very modest way. And I concentrated on two things. The first was survival, the second to promote animation worldwide as an art medium and I am still struggling ever since to try and make a success of both. I don't think I will make it! Bob Godfrey: Joh[…]
[…]y acceptable quality. Only in more recent times in the last four or five years have competitive cameras been developed and they have now proliferated worldwide and they are now by no means uncommon. We've had one at Pinewood now for a couple of years or more, producing high quality negatives........[…]
[…]obs to do! I've done a lot of good art-based stuff. I've done music videos. I've done music videos on 16 mm which bands are, you know, like have been worldwide now and I can say, "I did their first video!" It was great! It was NB, you know we shot it in 16 mm and it was fabulous and you look back at[…]
