[…]ng, took up my position in the laboratory, and I was in the printing room. Well there I remained for a period, and then I was persuaded to go down to Worton Hall, Isleworth to join G.B. Samuelson. The cameraman down there at the time was Walter Buckston, who also worked for Pathe as a cameraman duri[…]
[…]like Pinewood.                   They don't go to Worton Hall. CH:  That's why we, Shepperton and EMI were laughing when the Americans cameto us in fo[…]
[…]ation. Anyway, we were in Cheltenham and so of course one was out of the industry, and then Geoff got moved back to London when the Coal Board opened Worton Hall and divided up their research between coal research and miningresearch, you see. So they opened another... and they’d left coal research a[…]
[…]ers had another pitch to cut and basically they said but I became his first assistant, which was a film called The late Edwin Black which was made at Worton Hall studios. And wherever it is, Hounslow Whorton Hall  was, whatever it is, yes. And it was produced by Ernest Gartside and directed by […]
[…] with Marcel Hellman and young Doug Fairbanks [Douglas Fairbanks Jnr.] who had two companies, Excelsior Films and Criterion Films, and they worked at Worton Hall. We made AccusedSC: Where was Worton Hall because that's disappeared nowRP: Worton Hall that was Isleworth, no Hounslow. I was at Hou[…]
[…]ole: And didn't Warwick Ward have something to do with controlling the studio?Tilly Day: Ah, no, Walton-on Thames - [TD corrects herself] - Worton Hall.Sidney Cole: Worton Hall.Tilly Day: He became - to our amazement - he became studio manager.Sidney Cole: That's right, yes,[…]
[…]British filmmaking...Peggy Gick: It was very busy, yes.John Legard: ...in 1935 we're talking about, '34, '35?Peggy Gick: [???] Then I went to [Walton Hall] 'cause Douglas Fairbanks Junior formed his own company, but that was...[Maurice Helman] wasn't it?John Legard: [Marcel Helman].Peggy Gick: [Marc[…]
