[…]self defence he did put me in his next picture which was called, The Boys of the Otter Patrol and some of it was shot at the old Samuelson Studios in Worton Hall Isleworth and I had to make the journey from St Albans down there. And my parents got a bit worried on two accounts. For one thing they th[…]
[…]id, "Well go away, dear, and when you've got some experience come back and see me." So then I went to see the London Films people down at Isleworth - Worton Hall Studios. And they said, "Oh, no, no, nothing at the moment." So we all went off on holiday down to Cornwall. After I'd been there for abou[…]
[…]ole: And didn't Warwick Ward have something to do with controlling the studio?Tilly Day: Ah, no, Walton-on Thames - [TD corrects herself] - Worton Hall.Sidney Cole: Worton Hall.Tilly Day: He became - to our amazement - he became studio manager.Sidney Cole: That's right, yes,[…]
[…] Day: Ah, no, Walton-on Thames - [TD corrects herself] - Worton Hall. Sidney Cole: Worton Hall. Tilly Day: He became […]
[…]like Pinewood. They don't go to Worton Hall. CH: That's why we, Shepperton and EMI were laughing when the Americans cameto us in fo[…]
[…]said, 'Now I want to show you something we're going to a place called Fisheries.' Because at that time London films as it had become was operating at Worton Hall there was a thought they might come to Cricklewood you see. And at Worton Hall they were and off we went, after this lunch we h[…]
[…]British filmmaking...Peggy Gick: It was very busy, yes.John Legard: ...in 1935 we're talking about, '34, '35?Peggy Gick: [???] Then I went to [Walton Hall] 'cause Douglas Fairbanks Junior formed his own company, but that was...[Maurice Helman] wasn't it?John Legard: [Marcel Helman].Peggy Gick: [Marc[…]
[…]ers had another pitch to cut and basically they said but I became his first assistant, which was a film called The late Edwin Black which was made at Worton Hall studios. And wherever it is, Hounslow Whorton Hall was, whatever it is, yes. And it was produced by Ernest Gartside and directed by […]
[…]d out from Stoll's, I'd been loaned out to various people. I'd worked for Reggie Fogwell up at Blackwell studios, I'd worked for G B Samuelson out at Worton Hall. I'd also worked up at B&D for a day on one of the Ralph Lynn-Tom Walls films. I can't remember what it was but I can remember Freddie[…]
[…] Blackwell studios, I'd worked for G B Samuelson out at Worton Hall. I'd also worked up at B &D for […]
