[…]lliam Trytel and his band were the band. Slowly techniques were improving but very slow. The Bush hadn't got Mitchell's yet, they'd still got these wretched Bell and Howell's. And it wasn't until I went to Stoll that I started working with Mitchells and that's an entirely different ballgame, with a […]
[…]ery lucky, in the Summer of 1938 pictures were booming, Fox was making 17 major A films in the studio at once, and a number of B pictures. The lot stretched from Pica to Santa Monica, all the area which is now Century Plaza, Century City, was the Fox lot. I used to live at Santa Monica and take the […]
[…]flexible drive which used to get jammed and wound round your neck occasionally. And we did mainly variety turns, like Albert Wheelan and George Robey etc. And that's about that I think. Then, of course,...Arthur Graham: Where did you go to from there?Eric Cross: From there, I went to Wembley.Arthur […]
[…] 1935 to c 1970, with experience at Denham, Pinewood, MGM etc., and worked on many big films including The Drum, […]
[…] Smith , multicamera director Pebble Mill at One, Live Aid etc Louise Willcox , Senior Sound Supervisor Michael Wearing , […]
[…] on the work of specific Film/TV Directors, producers, editors, cameramen etc, or specific aspects of film making . This could […]
[…] work of specific Film/TV Directors, pro ducers, 7 editors, cameramen etc, or specific aspects of film making. This could lead […]
[…] chose to ignore my concerns about the getting-rid of Projectionists etc. Apart from Quentin Tarantino in America, I seem to be a lone […]
[…] ure referred to in section 232(2) of the Act (negligence etc. of a director). ct THE COMPANIES ACT 2006 COMP […]
