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[…]mbleby went to Berlin and Dachau. Robert Barr went to the Ardennes. Frank Gillard to Normandy, etc. SP                     Cutforth. No[…]

[…]nnett-Elkington, who enabled me to form a thing called the Adelphi Play Society, which is all to do with the background I'm coming to - trade unions, etc. And Elkington... we took the little theatre which was in the Adelphi, a very famous little theatre. And, of course, you could hire it then for tw[…]

BECTU History Project - Interview No. 101[Copyright BECTU]Transcription Date: Unknown - draft analytical transcription by Sarah Easen, British Universities Film and Video CouncilInterview Date: 1989-09-25Interviewer: Roy FowlerInterviewee: Norman FisherTape 1, Side 1Roy Fowler: Copyright of the foll[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

This copyright of this interview is vested in the BECTU History Project.Interviewer Bob AllenThis is an interview with Peter Handford, sound recordist, and it is taking place in his studio where most of the train records for which he is quite famous have been put together at his home. The date is th[…]

[…]m because he always if you read anything, you know that it's why he dropped out of the Bonds because he thought he was underpaid he'd been ripped off etc. And this bloke on the chief was there they are actually at the time. And where Connery had  been mucking about refusing to do another Bond i[…]

[…]id before you  didn't do what many studio directors did which is to do the master, and medium shot and the close shot and the head and shoulders etc., presumably you continued that process in television.VG: I  plotted and planned very carefully. It stood me in very good stead that I had pl[…]