[…] Wagner was the gaichi chairman. Yes. Were you working directly for? Yes, I was. You see, in those days, there are only two people on the camera, the lighting camera man, who operated as well. Then you had your system, which I was had to do the loading and taking care of the camera focusing so on So[…]
[…]where in Portland Place.” “The number?” “No, I have no idea of the number.” There were these senior executives striking matches and lighting cigarette lighters, walking along Portland Place seeing where Lord Goodman lived. Eventually, 12:30, 12:45, found Lord Goodman, had a m[…]
[…], I used to love it, with all those marvellous drapes, all the looped back drapes, you know, swagged drapes right up to the back of the stage and the lighting from the side with the piano and the singer, always the ladies had their long handkerchiefs leaning in the crook of the piano and coming[…]
[…] the only way you could do that was by cross lighting and back lighting and they all went in for […]
[…]ights. And I guess I was young and healthy and enthusiastic because I got no extra money for that at all. But I enjoyed it thoroughly. Go back to the lighting room a bit how many worked in it. There are only while there was a head of the load room and there's a gentleman called Mr. brocklebank. And […]
[…]rt director and a cameraman, as I said, who didn’t get on, so that that the, the great Gothic sets that the art director was doing, the cameraman was lighting them black, [laughs] so that you couldn’t see them. [phone ringing] Excuse me.
[break in recording] [0:25:00]
Let me ask that question.[…]
[…] sue.malden@btinternet.com.Alan Lawson 0:05 The copyright of this recording is vested in the back to history project. Jerry Fisher, lighting camera man, interviewers, Adam Lawson, with Sid Wilson, recorded on the 19th of October 1993. side one first and foremost, when and where wer[…]
[…]bsp;0:06 The date is the fourth is the fourth of September 1991. We're at ACTT. And the interview is with a very distinguished, originally lighting cameraman and our producer, director, Ronald Neame. Ronald, let's start at the very beginning, you had a parentage that was very active in th[…]
[…]t thathe set, whether they used it in the film or not, he insisted that the establishing shot washis and because it had to be to his sketch, with the lighting. He was a great guy forpainting in lighting on his sets. For instance if he wanted a shaft of light he would painthis set so the shaft of lig[…]
[…]pyright is vested in the BECTU History Project. Time Code 00:00:00:00 to 00:45:46:00Ossie Morris Side 1 I worked I worked on was the Morris lighting camera and interview laws on this recording is the copyright of this recording is vested in the ACTT history project. Side one. Ozzy.SPEAKER:[…]
