BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]
Tilly Day (continuity) 1903-1994by admin — last modified Jul 28, 2008 04:32 PMBIOGRAPHY: Tilly Day worked on over 300 British films between the 1920s and 1970s, most particularly as ‘continuity girl’. Her career began at Walthamstow Studios in the 1917 and she received her first credit in […]
BECTU History Project - Interview No. 22[Copyright BECTU]Transcription Date: 2002-07-08Interview Date: 1996-04-11Interviewer: Arthur GrahamInterviewee: A.A. 'Tubby' Englander[Tape1, Side 1]Arthur Graham: ...A.A. Englander. Name of the interviewer: Arthur Graham. The copyright of this recording is in[…]
[…]ck : And I think it was a marvellous training ground, The Bush.Kitty Wood : It was.Jim Connock : I remember Johnny Goodman, he's sort of president of BAFTA or chairman of Bafta...Kitty Wood : He started at G-B I as a clapper-boy.Jim Connock : He started - he was a page-boy.Kitty Wood : Well, he was […]
[…]bsp;Alan Lawson 35:32She's had a stroke hadn't she?Dallas Bower 35:33Oh yes, a rather severe one. But I mean Elizabeth's all right. Yes and then that BAFTA thing that subsequent BAFTA thing that was very well managed by Graham Benson because Bridgey and myself, Cecil and Elizabeth were all placed in[…]
[…]ion at the peak time is £1000 per spot – the cost of making is peanuts compared to transmission costs.00:06:10 – 00:14:05 AL talks about FY’s book on cinematography; FY talks about his interest in painting as a child and how this relates to his work as a cinematographer; FY didn’t have as much compe[…]
