[…]aid magnox. You know, is that your darkness? To me? It's madness. That was the working title never changed. That I did every sort of effect. The best BAFTA I never got. He says modestly, because BAFTA had no category for television effects, film effects, not television effects, has now done then in […]
[…];I watch them? Do you watch them? When they occasionally, occasionally if they're on and you know, I'm in the mood. But yeah, I mean, the ones I like best I think the Panthers Yeah. Because they were a dream to work on, you know?Speaker 3  15:39  Yeah. Which, which they will bring? Oh, wel[…]
[…]d changing anything. I mean the worst commercial for that I ever did was for that fat, beastly QI presenter. He’s lost weight, he’s married, he’s the Bafta bloke or he was. What’s he called?PF: Stephen Fry?EH: Stephen Fry! I wasn’t that familiar with him but I did know he was big, and a painkiller c[…]
[…]f that sort of amount of people chasing a job in this amazing industry. But when I got into STV, I kind of quickly realised the people in it were the best and brightest that had been other places like the BBC and had come over to STV because they were actually better remunerated. There was more, in […]
[…] doing on his own now, because Harry Saltzman had sold his share to MGM UA, as it turned out to be and so you know, we carried on, we made one of the best bonds, smile on me, and the wonderful, wonderful shots of the submarine panel because we had to build a whole new Stage at Pinewood to accommodat[…]
[…] were working on with him? Can you remember what that film was?Howard Lanning  34:28  A Foreign Field and I'm not sure if you could I won a nomination for for the film. It was absolutely delightful film and my wife's favourite of everything. I mean, she's hated not hate is too strong a wor[…]
