[…]olor has never ever been worse than Eastman and in my view in many instances better.Yes.52But the shelf life of Technicolor I saw when we had a go in BAFTA in Piccadilly on an odd occasion we saw red shoes, some old shots of red shoes that had been kept that had been on the shelf thirty-five years a[…]
[…]tock you see. But of course when the boys come down, I'm talking about the art directors, they knew what they were doing on, they wanted to put their best foot forward, obviously, don't they. They want a good show, they want a good set, it's his reputation. So he didn't want stock, so you had to mak[…]
[…]hing because if we worked outside...if we were in the BBC and we had to work with other ACT technicians or ETU technicians there was no inter-union denominational problem as it were because we were still members of ACT, which all these other unions recognised anyway and vice versa.Arthur Graham: Do […]
[…] I’ve got my name on it. And we won the BAFTA, best single drama. And, I think it was at […]
[…] Grand Prix at the Venice Film Festival. Judi Dench won a BAFTA for her role in Four in the Morning (1965).
[…] going to be a nucleus of directors or producers, the best in the country. And um - actually it was […]
[…] Robert Clark. Arnold Schwartzman : You received an Academy Award nomination for 'Foreign Correspondent', and was that the same year […]
[…] more complimentary, saying again and again that they were the best results they have ever had with a Stedhiacer[?] microphone." […]
