Bill Girdlestone

[…]here was this?Bill Girdlestone: At Denham, the last five years. They had sufficient sense to know what I was doing and I was able to produce the best colour pictures that this country ever saw. When I did Oh, What a Lovely War, 1968, we showed it at the Plaza, I sat with Dickie Attenboroug[…]

John Daly EHProj_Bio3pdf

[…] Daly - Cinematographer. Born in 1955 in London England Awards BAFTA "Persuasion" BAFTA "Far from Madding Crowd" BAFTA Nomination "Our […]

Maurice Elvey – Transcript

[…] the day. Inevitably, this brought me into contact with the best sort of minds of the day. Believe it or […]

Joy Batchelor

[…] for what, for the BFA, British Film Academy days? Or BAFTA? Joy Batchelor: BAFTA. And abroad too. I was on […]

Reg Sutton

[…] and one of the lads in the BBC was my best man, he's retired now,. We nipped out at lunchtime […]

Peter Williams

[…]an-hour there was a scream of police sirens and they arrived, they took the bomb away, they chastised me for being extremely .. well I don’t know the best word – ‘idiot’ I think is probably – and the bomb was duly exploded elsewhere. Anyway that was the bomb. As far as we were concerned, going back […]

Paul Collard

[…]in Love you know and Billy Williams came in and supervised the grade on that and subsequently Billy then showed it to the whole BSC showed it at BAFTA got a BAFTA award. It’s fantastic that these films can be made to look like they’re brand new, and that’s the wonder of Eastmancolor.SS: Do you […]
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