[…]bout some other of his colleagues; working with Herbert Wilcox, a terrific promoter but not a great director. 00:29:40 – 00:30:10FY: I think the best, one of the best films, I think was Victoria the Great. I’ve seen that … it’s been reprint … redone, you know, on the new stock. And […]
[…]here was this?Bill Girdlestone: At Denham, the last five years. They had sufficient sense to know what I was doing and I was able to produce the best colour pictures that this country ever saw. When I did Oh, What a Lovely War, 1968, we showed it at the Plaza, I sat with Dickie Attenboroug[…]
[…] Daly - Cinematographer. Born in 1955 in London England Awards BAFTA "Persuasion" BAFTA "Far from Madding Crowd" BAFTA Nomination "Our […]
[…] location and the Cameraman is Tony er … , my best friend, can’t think of his surname [Richmond] , and […]
[…] the day. Inevitably, this brought me into contact with the best sort of minds of the day. Believe it or […]
[…] for what, for the BFA, British Film Academy days? Or BAFTA? Joy Batchelor: BAFTA. And abroad too. I was on […]
[…] and one of the lads in the BBC was my best man, he's retired now,. We nipped out at lunchtime […]
[…] good in the part. Carol accepted that he was second best when it came to a battle with Noel and […]
[…] I was doing and I was able to produce the best colour pictures that this country ever saw. When I […]
[…]an-hour there was a scream of police sirens and they arrived, they took the bomb away, they chastised me for being extremely .. well I don’t know the best word – ‘idiot’ I think is probably – and the bomb was duly exploded elsewhere. Anyway that was the bomb. As far as we were concerned, going back […]
