[…]d to come over the sun. And then Peter Sargent started rolling and it was a good shot.My favourite production was Rembrandt, for which I got an Oscar nomination hanging up hereNorman Swallow: That was later wasn't it.Rudi Cartier: That was later in 1969.Working for the BBC gave me the chance of cont[…]
[…]nt at that time. Well I remember one day the my boss said I think the best place for the UN for you to go is on the Ministry of Information build[…]
[…]e remember we slot slots in but that's how I came in contact with him. And then I did a picture for Charlie in Italy which was I think probably Ray's best and that was Jason and the Argonauts yes. With the skeleton fight which was a brilliant piece of special effects work with Ray right. Yes absolut[…]
[…]nths, two years, I don’t know. You could probably find out through the records or somewhere. But it was a lovely studio. It was the best equipped studio in England. It was all Weston Electric equipment. Q Can I just j[…]
[…] face but I can't quite place it. I thought I'm going to be honest, I haven't got a clue. My gawd, I felt like sinking through the floor. But not the best way to start off on a film. Richard was a very lovely guy to work with and always very pleasant.Roy Fowler: And Mrs B.Robert Beatty: Very good to[…]
[…]f course Pat was drinking very heavily then and I don't know whether he was taking anything else or not. He wasn't the same man.SC: Mm because at his best he could be very nice couldn't he?DM: Oh he was charming. I liked him very much then.2. Black Beauty and Born FreeDM: I enjoyed Black Beauty[…]
[…]tarted over so I was paid a pound a week that was the sort of standard starting wage. But of course the top wage for a fully qualified labour that is best an experienced farm worker was only I think it was two pounds. 15 a week Australian money and I achieved that but I was 18 at the matrons, […]
