[…]ce and “Yes, we’d like you to do it.” Oh, how wonderful. It’s at theOlympic Studio in Barnes and on location and the Cameraman is Tony er ..., mybest friend, can’t think of his surname [Richmond], and the operator is Mike Fox.That’s all I remember of the crew. And I said: “Could […]
[…]s full Assistant when I was made up was a film called “Public School” and the Editor was Paul Carter, the Director was Jonathan Gili and Paul won the BAFTA Craft Award for “Public School” and was was kind enough to share his prize with me. So that was that was delightful.SPEAKER: M2 [Paul Collard]So[…]
[…]onservative Government - Willie Whitelaw & Leon Brittain. I set up meeting for Leon to meet would-be independent producers. I set up screening at BAFTA of films by independent producers – Mike Dodds, Michael Peacock, John Cleese, Roy Godfrey. We made it look like enormous pool of talent – actual[…]
[…] certain amount of automation. Anyway the one wonderful thing about that was I had a team that was second to none. We all worked to do the job to the best of our ability. And at the same time to help each other. If someone had a certain function to go to perhaps a funeral perhaps a wedding just one […]
[…]e first On the Buses. I also did Robin Hood [A Challenge for Robin Hood? DS]… I think it was made at Pinewood. I suppose the best Hammer film or the most important Hammer film was, erm, before the horror thing. Oh. I've lost it. Sorry.[01:15:18:620] Made at Elstree Stud[…]
