[…] recording activity, we’d also from time to time mount a BAFTA event. Alexander Korda’s centenary was celebrated with a screening […]
[…]and talking about the film to their friends. I think that's sad. And that puts me off going. Now, I think if you pay enough for you go if you get the BAFTA or somewhere, you can see the films and silence but or the NFT, probably, possibly, but there's too many, too many distractions and cinema as I […]
[…]y, of all the reproduction means, making separations and then recombining those to a negative got you about as close to the original negative. Second best is a digital intermediate. Third best is going colour interpostive-colour internegative.PF: Brilliant. So, looking at long-term preservation of f[…]
[…]cter because he would adlib a lot so everything you'd rehearsed had to be kind of thrown out of the window! But we all coped and it was fine. But the best joy I had at STV was a Director called Dougie Moodie. Douglas Moodie. He came from BBC to STV and it was Ibsen's The Wild Duck, the play. I'd see[…]