[…]o anything different?Muriel Box : No, I wouldn't do anything different. I can't think of anything anyway. All that you're doing in film is always the best you can do at the time and I think anybody who refuses any other ideas from any part of the group who's working on the film should always be list[…]
[…]nite reducer was much better one. There were various other methods, there was a salt one as well. umpteen of them, but I thought I think that was the bestBert Craik  11:45  thing I found a calling in those days when when when I came into the black and white Labs was with Kays you know with[…]
[…]owler  47:43  Max Green.   I was talking to Roy Boulting over the weekend and he said that Mutz was one of the two best cameramen he's ever worked with. Adam Dawson  47:55  Mutz. Yeah, yeah. He is very good. Yes. Roy Fowler  […]
[…]nite reducer was much better one. There were various other methods, there was a salt one as well. umpteen of them, but I thought I think that was the bestBert Craik  11:45  thing I found a calling in those days when when when I came into the black and white Labs was with Kays you know with[…]
[…]rom 1936 to 1978. The war was in the middle but I was a newsreel war correspondent so I was still with Movietone.Roy Fowler: Norman I wonder what the best way is of covering this period? Just coming forward in time as you remember things?Norman Fisher: OK.Roy Fowler: I suppose then the first questio[…]
[…], you know,Unknown Speaker  12:57  you probably knowUnknown Speaker  12:59  and watch dynasty, and they no never well. One of the actresses in it is an actress called Emma Sams, quite a one of the leading roles in it, and she is Emma Samuelson, the daughter of Michael Samuelson, […]
[…]is done now on real locations. Actors have told me that they find that rather good because it gives them more of an atmosphere than possibly even the best sets in the studio.RP: It probably does from the actor's point of view. On the other hand you've got to put up with sometimes extraneous noises a[…]
