[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]ff and colourist. So they, all of us not really very used to working with faded Eastmancolor negative, so they scanned on a Arriscan, they scanned as best as they felt they could. I suspect there’s more to be said about how that negative could be scanned now I look back. As you say it’s ten years ne[…]
[…]r]. I don’t think they changed anything. Probably, I’m just guessing, that they were wanting to distinguish themselves from Technicolor which was the best-known name up to that point.CR: And had been so dominant.AM: Yes, in terms of colour and motion pictures.CR: Because even by the late 1960s, earl[…]
[…] variety in outside broadcasting in general and particularly the experiences that you've had over the years. How do you actually work out what's your best memory of being involved with outside broadcast? Is that an impossible task? R: It is in a way. I just feel it's quite good to go home after[…]
[…]throughout the 70s, the department expanded until I can remember in 1978, I think it was about then, and I just begun Empire road. David hare won the BAFTA Award for licking Hitler. Gangsters was our series. Alan Bleasdale had just done the first black stuff, film. And this all went out in one sees.[…]
