[…]ver saw David when he was making a movie. And that was David Lean. David Lean was making movies. I mean, he was a super filmmaker. And, you know, the best part of the movie to him was always the spring in his step, I used to say, came when he got into the cutting rooms, because he really, you know, […]
[…]that are doing quite well.Alan Sapper : There are many young people...Lew Grade : And we have great creative talent. Our technicians are probably the best in the world, they are amazing and they don't look at union rules, they work any hours if they love the project, love the people that are involve[…]
[…] one of Lean’s cameramen, camera operator, and he was at Bafta that night too? CB: Oh was he? I: Yeah, […]
[…] and itÔÇÖs rather sad it doesn't now. I don't think BAFTA fulfils that particular thing. You mentioned, and we kind […]
[…] because I knew her because she and Rebecca West were best friends, they were running the Committee Against War and […]
[…] early on, and, "I want advice as to what's the best thing to do if you want to get on […]
[…] the British Film Commission. Goodman has been closely involved with BAFTA throughout much of his career, and he held the […]
[…] of David's pictures I have enjoyed doing. I got a nomination on 'Ryan's Daughter' I enjoyed doing that tremendously. That […]
[…] it and refinement on it. And, and it won a BAFTA.[Laughter] It was, it was a SEFTA then, it wasn't […]
[…] by Ann Mahal, (who I worked for later) for the best single performance. I had played (for my diploma) the […]
