Search Results for: BFI

[…] audiences. In addition to our Foundation Partners, BECTU and British Film Institute ( BFI) Screen Online, our other partners include:- ​British Cinema and Television […]

[…] part of my research, last month Sarah Currant at the BFI kindly arranged for me to access their copy of […]

[…] presented by Eva mills and Greg, and the newsroom started in kind of mid 60s. Is that right? Well, it had been up and running. When I went there. My BFI was invited to come along and meet Brom Henderson, who was the managing director, invited by the then news editor, my Uncle Fred Corbett, who's de[…]

[…]. Norma Heyman was the producer.Speaker 1  1:57:43  I think Ron had he had made films. Previous he had had, yes, yes. He made films for the BFI. He died recently.Speaker 2  1:57:51  Did he? Okay. Oh, right. Okay. Well, the association between Ron Peck and myself wasn't that great[…]

[…]f a bus driver on his day off, and is Tony to a tee, the script survives. It's a brilliant script. And there's been a small reading of it at one at a BFI event a few years ago. It's a really, really good script. But Tony doesn't like it. He says, It's not international enough. Ray And Alan say, Look[…]

[…]two years now, our operations, so I’ve done quite a lot of work for London Screen Archives, small format 8mm and 9.5mm film transfers for them, for a BFI project that they were working on. That’s kind of run its course now but I did a lot of that for London Screen Archives. I’ve had an interesting j[…]

[…] to help with that. That makes a huge difference too. Although, again, it is just best guess but…PF: Yeah because I was talking to Kieron Webb at the BFI the other week and he was saying, well they were presented with that very scenario and they were having to reference things in the image which the[…]

[…]tion and it took a tremendous amount of work and cost a lot of money because they had to make three separations. This was done by Technicolor for the BFI, and they had to make the three separations to get the result they wanted. So analogues restoration’s expensive and difficult but, you know, it wa[…]

[…]. There was only one man called Horace ofay, who again it never actually to have multi camera, but have made a wonderful film called pressure for the BFI about West Indian life in Brixton, and that was groundbreaking at the time. And I saw that and thought, God, this man's got a real eye. And our Ho[…]

[…]Dylan in Birmingham now, and I know, four or five films, you know, he also presented a film I made about dogfighting and, and something I did for the BFI. So, I do but I, the thing that I've never had, which I think, you know, perhaps is something that, you know, I'd see directors like maybe Danny B[…]