[…]Orrom Katy McGahan 0:02 OK, this is an interview by Katy McGahan, one of the curators in the Non-Fiction unit at the BFI interviewing for the BECTU History Project, Mary Orrom, filmmaker, editor and director. And it's 25th of January 2011. Katy McGahan&nbs[…]
[…]roject; PB discusses his set-up at Denham.[Break in recording at 00:41:20]00:41:20 – 00:51:00 Wet gate printing 3-strip; vinegar syndrome and how the BFI manage deteriorating film; accessing source material for restoration, Thief of Bagdad and travelling mattes; KW mentions the blue line appearing i[…]
[…] four short adverts. We couldn’t afford the advert space, I managed to get, between us we got money from five different commissioning editors and The BFI, tiny, you know, but we couldn’t afford the space to buy.SF: No.We could afford to make the thing.SF: Yes, yes.So we had to go to different compan[…]
[…]k if you take copies and send the originals back here to Brian.Roy Fowler: Yes, okay. Well then, what I'd like to do is to...I'll go down to the BFI and say that there's what...about 20, 25? Something like that?Brian Smedley-Aston: More than that by the look of it.Roy Fowler: Yes. Now[…]
[…]pounds! (laughs) CB: Ohh, thank you! No, he told me where I can see it in the library here, somewhereI: Right, well...CB: The big libraryI: Well, the BFI, presumably, because I think, I think they’re republishing it in a revised editionCB: Gosh...that’s a lot of money, isn’t it? Anyway...I: Yes, rig[…]
