[…]o come. And so, my name is on, I didn't realise until Tom Daly. The Banff School of Fine Arts film which was made in 1946 which was 20 minutes and in colour was Holiday at School, and the director was Leslie McFarlane, the photography was Grant Crabtree and the production assistant was Daphne Lily, […]
[…] was made in 1946 which was 20 minutes and in colour was Holiday at School, and the director was Leslie […]
[…]sia and lots of places.BE: I'm sure there are a lot of very good ones.BA: And the BBC have been showing a lot. But they of course stick mainly to the colour ones,BE: Ours weren't colour at all.BA: Were any of the pictures Mr Baxter made in colour.BE: No they weren 't. It was after that, of course. S[…]
[…] we had no alternative if we were making it in colour. Roy Fowler: Well I'm thinking of the logistics of […]
[…]n 1920, May, in Rugby in Warwickshire. And my father kept a photographic chemist's shop. And so we had, uh, sold cameras, and I served customers with films and loaded the cameras. [laughter] I was the boy for all the people who'd bought expensive cameras and then had to get a shop assistant to load […]
[…]ntini[?] cars. And he had a chauffeur called Bert and he used to literally get down in quarter of an hour in the morning because he had, shall I say, colourful social life and he'd always have a couple of chorus girls up at the Dorchester and things. Bert would have been in there saying, "Come on Mr[…]
[…]out and shoot according to the shooting script. Then coming back we had a little cutting room of sorts - oh, this incidentally was all 16 mm - 16 mm. colour, on the old, very, very slow Kodachrome wasn't it? It was the old 16 mm. Kodachrome. And I'd take it back to this teeny weeny little cutting ro[…]
[…]as! But you never checked when you were doing a black and white film, you very rarely checked your costume with the art director. When you were doing colour, that was a very different matter, of course you had to then, otherwise the most awful things could happen. But in a black and white film, no. […]
