Elizabeth (Liz) Bale

[…]always experimenting, and I was struggling the other day to remember, because there's something which I don't think I ever fully understood about the colour blue. And one of the engineers came up with a scheme which I think was called colour separation overlay. And we a few years later, when I was w[…]

Stanley Watkins

[…] at the National Film theatre, made by MGM, and that was made the sound on film. I do know that definitely, it was very interesting film. It had some colour inserts, Stanley Watkins  31:25  or 3929 29 Yeah, yeah. Well, that must have been a very early one, yeah. And it was i[…]

Michael Colomb

[…]tainly Ceasar and Cleopatra led the way. And he will, he would come in the morning, and he would get so myopic with a particular thing, or changing a colour on the set. Because it didn't look right. And cameraman was explaining  that we won't even get in that's right on the edge doesn't matter,[…]

Adrian (Andy) Worker

[…] "You should go on freelance production," which I did. Roy Fowler: Ah hmm. Well it's a shame you didn't work with Sydney because he was a rather colourful character. So is there much that you can tell us about him and the Boxes generally? Andy Worker: Well... Roy Fowler: Of last days […]

Joe Busuttil

[…]y or somewhere.  She was a phenomenal painter actually and she used to paint all these hunting scenes by hand and she had loads and loads of old colours and brushes and she gave them to me and regretfully I wasted the colours because some of those colours were really good colours and expensive.[…]

Keith Nunn Comp

[…] in the projection room. And these were lit in different colours. And the projectionist had control of how the lights […]

Keith Nunn

[…]it in other words you had a lovely curtains covering the screen remotely controlled of course in the projection room. And these were lit in different colours.And the projectionist had control of how the lights went up how they came down to them on a dimmer and the curtain colours could change and be[…]

John Ammonds

[…]ppened on this of the first serious what had happened was that one of his Bill Cotton got them from ATV and Lew Grade was of course they wanted to do colour because it wasn't being sold in the States like Tom Jones although they were doing a better colour at Elstree because Morecambe & Wise wasn[…]
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