ARMSTRONG, Moira BECTU copy

[…] it wrong, CSI. [Laughter] That one always confuses me, yes. Colour Separation Overlay, I should remember that. Yes. Which was […]

Moira Armstrong

[…]did actually quite a lot of announcing on what was called Green Continuity Service, it was the Overseas Service of The BBC.Weren’t they all different colours? There were Green, Purple and Brown.Continuity? Continuity. I can’t remember what other colours they were. And, but green is quite interesting[…]

Alf Cooper

[…]ed him, put up the whole plant two dev, two developing machines. Two or one, I can’t remember now. One, I think, that’s right for the, mm, Dufay colour processing.Yes.5Which we put the, [0:05:00 044] the, the first newsreel in colour for the world. That’s putout on Dufay of the Jubilee for, no […]

Peter Proud

[…]bsp;he wasquite a queen. He used to use Max Factor No. 24. It was thewrong colour for him and made him look like an Indian. It was always onthe towels,&nbs[…]

Mel Faber

[…]a minute, yes, you can probably have Lydia's car which was the girl that had gone. And I said, what is it? And he said, an Audi. And I said, Oh, what colour? Bloody cheek! I was joking, of course. So I had the use of the car until the end of its contract hire period. And I joined them initially for […]

Julie Harris

[…], it reminds me of a story I heard about you, you’re probably going to tell me more; it was Casino Royale, where you did costumes, and apparently the colour had to change?JH: Oh, there was a dress of Ursula Andress’. Because when we first started that film – I mean, there were five directors in the […]

Gerry Humphreys

[…]d apart from all the bits and pieces of information inside, the stories of who was doing what, to mark this anniversary the paint shop came up with a colour front to it and all these fronts had to be stuck on to the front of the magazine by paste.  So that was one of the first jobs I can rememb[…]

Marjorie (Sullivan) Graham

[…]t the process was, I had to take the cans down and have them put on to other film you know, have the nitrate transferred. And then I assume they will coloured and various things were done to them. So I had to memorise and write down what it was David and and, and and Kevin wanted me to actually do, […]

Noreen Ackland

[…]cise which came back to Pinewood and I looked after it and using that, and using he was going to shoot the cover the whole of the the trooping of the colour. He engaged scriptwriter who had never written for a film before. In fact, well you might know him Roger Milner know of him, you know of him. I[…]
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