[…] about I suppose a couple of hundred and fifty two hundred people. You had colourful services just opening up. And they probably had about a hundred twenty. You[…]
[…] James Grout, good people in them. But alas and alack coloured by the fact that, mm, Betty Willingale DRAFT Tape […]
[…]ed to see it because the BFI sort of said, “Oh no, no, no!” You know, it was not catalogued, it was... anyway, I think it is released now. But it was colour footage, you know, it was extraordinary footage. So, that was one of the best finds ever, I think. And that was just by luck because I had put […]
[…]ective and a lot of silly murders, mm, and they were fun. Anton Rodgers and various good people, James Grout, good people in them. But alas and alack coloured by the fact that, mm, coming, driving back from Birmingham after a recording Martin was killed in a car crash, so that was a great blow for e[…]
[…] were coating, sometimes no light whatsoever. Manny Yospa: Or a dark red or a dark green. Geoff Conway: Verichrome was dark red, the actual colour films went right down to a dark green. Manny Yospa: Could you give us a resume of changes in film technique, the sensitivity, because I re[…]
[…]How did that come about?Ray Morse 6:19 I used to have an uncle that lived out there was almost an American, you know, and he worked on on films. You know, in the early days, it was sort of an odd jobs man is to carry the camera about and do bits of crowd work and stuff like that. Because[…]
[…]emporary point of view, I mean, the skirting, the failure to tell the truth about mixing cultures because it might prove offensive to someone who was coloured. We can't tell the truth about it, except Mr. Tebbit does, I think, and Mr. Enoch Powell has. The reality, the truth, I ponder these things. […]