Search Results for: Colour Film Services

[…] things happened when I was in independent television was a) colour, and then editing, recording, were the two things that […]

[…] is to do the animation, black and white." Because the colour hadn't come in then, in sets, you see, not […]

[…] black and white cameras, some things you can't do with colour cameras. Like inverting the picture... Joan Kemp-Welch: Yes. John […]

[…] the Victorian scenes and the scenes with the puppets in colour and shoot the 1930s scenes for New York in […]

[…] and which of course, ultimately became an experimental studio for colour. Mm. For years. And that was Lime Grove. And […]

[…] which was terribly cumbersome, very good, to make the three colour separations in Technicolor labs. So of course the old […]

[…] time, or basically light for them because we were doing colour and they weren't. John Turner: Tell me, how many […]

[…] 16,019 miles by rail. Paul shot 40,000 ft of Eastman colour and I recorded ten miles of quarter inch magnetic […]

[…] it wrong, CSI. [Laughter] That one always confuses me, yes. Colour Separation Overlay, I should remember that. Yes. Which was […]

[…] time, we went from radio to television, from television to colour television and there was always a rising income and […]