[…] course there was less problems; there was no inflation and we had a rising income all the time, we went from radio to television, from television to colour television and there was always a rising income and the BBC was very well off. In fact, the government up to, I don’t know when it was, that th[…]
[…] time, we went from radio to television, from television to colour television and there was always a rising income and […]
[…]I’ve got twins. A boy and a girl, Mathew and Rosalind. Mathew is a drama feature director and he is just about to start his first feature film which has just been financed which is going to be shot in Brazil and I am a sort of executive on that. You just sit in the armchair, you kn[…]
[…]Having done geometry and basic math, and so on, I was I was back with playing with plasticine, and so on you know and sticky, sticky bits of curly of coloured paper and so on, you know, by then, I mean, I was a very bright child. I mean, I could read and write when I was four years old, you know. An[…]
John Jeffrey (JJ)Laboratories (Technicolor, Colour Film Services, Humphries)BECTU No. 273Interviewers: Alan Lawson (AL) & Syd Wilson (SW)Date: 23/02/19932 Tapes Side 100:00:00 – 00:09:05 Born 27 Sep 1917 Motherwell; schooling; 1926 strike & depression; marriage at Gretna Green and move […]
[…] as we term it. Ralph Bond: Has the introduction of colour, do you think, recently given a fillip to the […]
[…] them, so I would like to stop thank you. So we stopped. In a way that was my first failure. A creative failure!NS: We have almost reached the age of colour BBC2MD: Almost, Except for the Royal Ballet contract. Michael Wood who was public relations at Covent Garden came to me and said that the time […]
