[…]earI: You’ve just, you’ve just done that, you’ve gone over those, rightCB: Yes, yesI: And then it seems to me, with Laughing Lady you made your first colour picture CB: That’s rightI: In Technicolor, with Anne Ziegler and Webster Booth..CB:Yes, yesI: Who were two famous warblers of the timeCB: Yes, […]
[…]n? What half an hour? Bobbi Riesel  8:30  It was about half an hour, yes, yes. And it was, it was, it was very successful in colour. Yes, it was colour. Yes, yes. By this time, all his films were in colour, I think from about 1980 when we started with the travelogues. Yes, t[…]
[…]- no, it's going now. I can't recall names quickly.Alan Lawson : Was Percy there?Gordon McCallum : Percy Dayton, yes! Percy Dayton - so right! A very colourful character and I was his assistant on some of the pictures we did there. And he, of course, went eventually to Denham. But we all - I started[…]
[…]peech day a couple of times. It sort of went down rather well and became quite popular.KGY: Silent of course.CC: Oh yes. And black and white although colour did exist but it was the old Kodacolor, a lenticular process which wasn't particularly good.KGY: Did they use a lenticular process.CC: Yes for […]
[…]ed, scared stiff, but still it worked out all right so basically I was pleased with it. I believed it did very well as a commercial, commercial film, colourful film, then from …Alan Lawson  31:58Then, then after that you went on to do direction, didn't you?Dallas Bower  32:02Well[…]
[…]deep end, which young kids could splash about in and it was I love the the fact that it wasn't just an ordinary town or a suburb or anything was very colourful, even particularly South End itself, even though it was a bit brash, I love the places like the the Kursaal on there called the curse or amu[…]
[…]deep end, which young kids could splash about in and it was I love the the fact that it wasn't just an ordinary town or a suburb or anything was very colourful, even particularly South End itself, even though it was a bit brash, I love the places like the the Kursaal on there called the curse or amu[…]
[…]t organ I'd ever heard, beautiful organ, don't know what happened to it. It didn't have any of the glamour of the Compton at the Square, you know, no coloured lights or anything like that. It was just a plain place which we had a cold spot on, so that when the organ came up we just put spot, didn't […]
[…] laboratories. And at that time, the laboratories were Rank laboratories on the north circular road, they did all our black and white processing, and Colour Film Services, who now moved to Portland Place but at that time, they were in a Sholden Street. And as I was on the underground, saw almost eve[…]
[…]couple occasions we had strikes down at Merton Park. And one was that, in those days, they were shooting black and white, but also we were doing some colour films as well. But while we had a strike, the the electricians, the ETU came out and strike, and we joined them as such, that that because they[…]
