Search Results for: Colour Film Services

[…]ds Bank in Uxbridge and uh I stayed there for almost a year and then technicolour at that time. I think we're getting involved in making gunnery training films&[…]

[…]out and shoot according to the shooting script. Then coming back we had a little cutting room of sorts - oh, this incidentally was all 16 mm - 16 mm. colour, on the old, very, very slow Kodachrome wasn't it? It was the old 16 mm. Kodachrome. And I'd take it back to this teeny weeny little cutting ro[…]

[…]nds. Whereas now, everything is so accessible all the digital stills cameras you can shoot movie with, you can shoot in the log format, you can grade colour, correct your own footage, experiment, even on your eye on your iPhone. And it's so much easier to make a short film now was in the past, it wa[…]

[…]e. You were working on Civilisation a full time job.Ann Turner  34:58  It was a full time job. While Yes, because we had to set up the only colour film on the arts had been the one on royal palaces by Tony de Lobiniere which of which the interior is the palaces was shot on stills, and the […]

[…]ing, it was considered a joke among film technicians. In the second half of my career, it advanced from strength to strength, not just in techniques, colour, satellite, outside broadcasting, and so on. But in maturity and confidence of all kinds, and with it, the public addiction to television deepe[…]

[…]wed that up for years. I bought some plaster figures for years which I kept upstairs. I wish now, I only recently sold them - testing out various new colour systems when colour systems were coming out. And I used to get hold of a bit of stuff and at home I used to photograph them to see. Because I f[…]

[…]so - er - I also did some shows with with er Spike - er - one I don’t know if it’s there I think it was much later but it was something called ‘Oh In Colour’. Q: Er that I’ve got - rather later quite some time later - now is it - was it at this time that you started doing commercials?00:18:34 &[…]

[…].comSpeaker 1  0:17  The copyright of this recording is vested in the ACTT History Project, Charles Potter administrator, British Transport films,Unknown Speaker  0:30  Interviewer John legardUnknown Speaker  0:33  recorded on the sixth of June 1989Speaker 2  0:38 […]

[…]ther, you know, and, and so, yeah, I mean, I think I'm trying to think my time scale is not very good here. Because what happened? I mean, of course, colour came in and things, dealings in colour and things like that. But then, with the guild, he got terribly top heavy because I think it got too big[…]