[…] was back. And mine wasn't because it wasn't. But you could be, it could be understood that you'd you've thought it was because it didn't make use of colour in the usual way. I'd suppose I don't, I don't like colour for for colour sake, really. I'm not mad about it, I do. But I do think black and wh[…]
[…]to at pa also wanted to make A Midsummer Night's Dream. And he was of course a Shakespearean scholar as you wanted to make Midsummer Night's Dream in colour. I see I think he was the keirsey is that he was this athlete and he'd gone in July of 1952. Geneva for a meeting for it was the EEC, the Europ[…]
[…]t and they won't have matte lines. And then the other complicated part of doing the traditional blue screen is that you have to have a thing called a colour difference record, because you're effectively getting rid of the blue layer of a film and everything in it, all the details. So what you have t[…]
[…]ings it says, if I may quote, is: "Faced as we are with the greatest standardisation of living, the artist will have a great part to play in bringing colour and individuality into life." There are two things I would like to ask you about that: first, it seems to assume that after the war there is go[…]
[…]as a tortured man, you know.Why...?That's why, I think that's why he went on to, he went for an Indian woman in the end. And Englishmen always go for coloured women when they've got problems, sexual problems.Elizabeth Furse DRAFT. Tape 1 Side B41Elizabeth Furse DRAFT. Tape 1 Side BWhat was the basis[…]
[…]e lock-out. Sent scabs to Coventry, Lasted for months and upset them. “We were v.angry” (Alf). Technicolor went into the doldrums… Rank got into colour quicker. Technicolor had a poor attitude to its customers, they went to competitors. Decline in quality. Competition of television “suicidal”. […]
[…]archive footage to work through. So stuff that you couldn't possibly actually put on screen for that, for the audience at home. And we had some early colour footage of the bombing ruins in Germany as well which was always very interesting. We had one slightly difficult moment where they'd got a last[…]
[…]ike Blackpool rock with rare earths down the inside. And these when they're burning give a very intense white light, as I recall, yes at a core and a colour coded to the original ones when or not. But the copper coating was because they were working on a much higher current, they had to be copper co[…]
[…]ious programmes so from talks to News to variety programmes, finishing up with experimental after they closed the main station down on Got a range of colour film. So that that was why introducing the colour at the time. And I've did a whole series of all on film drama, and series drama series like B[…]