[…]en Jassy which as you say marks the advent of Technicolor at Shepherd's Bush.Maurice Carter: That was a shock to the whole industry, the invention of colour. Becauseit affected everything. It affected the lights, sound, set, constriction, everythingRoyFowler: Denham had been doing colour since 1935M[…]
[…].comSpeaker 1 0:17 The copyright of this recording is vested in the ACTT History Project, Charles Potter administrator, British Transport films,Unknown Speaker 0:30 Interviewer John legardUnknown Speaker 0:33 recorded on the sixth of June 1989Speaker 2 0:38 […]
[…] Absolutely! Yes. Then we started doing single subject ones, and then very shortly after ‘Chronicles’ came on the air, we went into colour. And we did a major… we were given a major colour exercise to do, 34:00 which I directed the studio on at Lime Grove and we had Judith Ch[…]
[…]round shots at Technicolor. So of course animation in those days you had – I don’t know how they do it now – but you had the three separate colours, you had to shoot three frames on end, you know, the separateKitty Marshall Page 5colours. And we had two cameras as far as I can remembe[…]
[…] and we were ready to go and he said light them up and the charge hand said they are alight, Dick went round and looked and the lights were orange in colour so we had to switch up and wait for the batteries to be brought up to spec again before we could shoot. Again there was very little technique i[…]
[…]ings I did which proved to be quite beneficial actually was, I was also shooting slides and I decided wouldn’t it be interesting to try and develop a colour film at home. And you could get a kit of chemicals for developing Ferraniacolor slide film. So I did that. I was in the bathroom; I used a bath[…]
[…]t to ask today. So, I wonder if you could just begin by giving an overview – if I can take you back slightly – in how your early interest in film and colour photography started. Where did that spark on interest come from?CF: I started out… my first work as such was for Kodak, and there was nothing g[…]
[…]nbsp; What do you remember of those marvelous Two Cities films of the middle war to just after the war, Del Guidice, especially. He was a very colourful character?HARRY MILLER: Actually he had been interned and he was released, right? Now the Two Cities’ films, of the ones, are there an[…]
[…] went round and looked and the lights were orange in colour so we had to switch up and wait for […]
[…] laboratories. And at that time, the laboratories were Rank laboratories on the north circular road, they did all our black and white processing, and Colour Film Services, who now moved to Portland Place but at that time, they were in a Sholden Street. And as I was on the underground, saw almost eve[…]
