[…]e jute products, the positive products, and there were quite a lot of them in those days. It just it wasn't there in the area where they used to have coloured basis for the positive stocks, you know, nowadays used to be blue colours, red colours, orange colours, yellow colours to fit the mood of the[…]
[…]t came under under Ian Dalrymple benign but very firmly guiding influence. I can't remember when it came out. I remember very little of it, it was in colourInterviewer 7:02 you know, three strip technicolour,Unknown Speaker 7:06 which wasInterviewer 7:07 a great p[…]
[…]n? What half an hour? Bobbi Riesel 8:30 It was about half an hour, yes, yes. And it was, it was, it was very successful in colour. Yes, it was colour. Yes, yes. By this time, all his films were in colour, I think from about 1980 when we started with the travelogues. Yes, t[…]
[…] you know.John Taylor: Yes, and he was beginning...Charles Wilder: Pardon?John Taylor: He was beginning as well...Charles Wilder: Yes, and he was the colour expert in those days.John Taylor: Was he?Charles Wilder: Oh yeah, yeah. And there was Sid Bonnett, do you remember Sid Bonnett? [S. R. Bonnett][…]
[…] disc on which was necessary in those days to the colour. In the meantime, the Dean of Canterbury, who was […]
[…]ed, scared stiff, but still it worked out all right so basically I was pleased with it. I believed it did very well as a commercial, commercial film, colourful film, then from …Alan Lawson 31:58Then, then after that you went on to do direction, didn't you?Dallas Bower 32:02Well[…]
[…] were still in the black and white days virtually, 'cause colour didn't come in until the early sixties... Peggy Gick: […]
[…] of changes of costume. I wanted to make it in colour and I wanted to make it on exterior. And […]
[…]fort outside Dorchester, why don't we do it there. Brown grass, the white of a dress, the red of the Sergeant's Troy's uniform, it was to be my first colour film. And he was very influential on how that film looked, wonderful, wonderful designer. So we made it, I think we were too slavish to th[…]
[…] the early days of ITV and they were mostly shot in black and white weren't they? I mean, we were still in the black and white days virtually, 'cause colour didn't come in until the early sixties...Peggy Gick: No...John Legard: But then, how long did you carry on with doing the intensive um...Peggy […]
