[…]e Paddington tests was ‘five-four’, circa-1961; Edgar Anstey, head of British Transport Films, was displeased that the whole film had been printed in colour.00:09:00 – 00:18:25 DW talks about Joan Littlewood’s Sparrows Can’t Sing for which Littlewood came to Edgar Anstey for advice; DW was fired fro[…]
[…]for him and he’s just go, “Do this”, and he’d get his pallet and [mortar stick?] and he would get some [gold size?] with just the colour of perhaps yellow or something like that so he could see what he was doing. But he never drew anything out, it was quite amazing. So he’s got h[…]
[…] historical picture it is because this mind of Castleton Knight was very very clever and he gave me that opportunity of doing that picture in 1950 on colour. And I got them to the stain and they’re really something I. now that came in to my mind when I started photographing the camera men for […]
[…];I think as far as I know that was thefirst television programme, feature, about the colour bar because that was anarea with racist difficulties, that was the main theme […]
[…]ed him, put up the whole plant two dev, two developing machines. Two or one, I can’t remember now. One, I think, that’s right for the, mm, Dufay colour processing.Yes.5Which we put the, [0:05:00 044] the, the first newsreel in colour for the world. That’s putout on Dufay of the Jubilee for, no […]
[…]ack to England. He was the son of a famous visual scientist who was a leading exponent of colour vision. The fact that I happened to be reading Stuart Parsons on colour vision one day as&nbs[…]
[…]cise which came back to Pinewood and I looked after it and using that, and using he was going to shoot the cover the whole of the the trooping of the colour. He engaged scriptwriter who had never written for a film before. In fact, well you might know him Roger Milner know of him, you know of him. I[…]
[…]en and, I don't know, Muffin the Mule and a few other things moved down there, and which of course, ultimately became an experimental studio for colour.Mm.For years. And that was Lime Grove. And then, so we went up to the Centre into the Scenery Block, we didn't have a studio as I remember it t[…]
