[…]udios.Railway stations. And at one time – I did one interesting thing: Courtauld, the Courtauld family put a lot of money into Ealing, and they had a colour system, an experimental colour system called Raycol, where you had a green and a red thing in front of the projector. And they were having grea[…]
[…] I imagine if A Town Like Alice was shot in colour you wouldn’t have got away with all that frost, […]
[…] went to Technicolor for quite a long period in their colour control and all that sort of thing, you know. […]
[…]deep end, which young kids could splash about in and it was I love the the fact that it wasn't just an ordinary town or a suburb or anything was very colourful, even particularly South End itself, even though it was a bit brash, I love the places like the the Kursaal on there called the curse or amu[…]
[…]deep end, which young kids could splash about in and it was I love the the fact that it wasn't just an ordinary town or a suburb or anything was very colourful, even particularly South End itself, even though it was a bit brash, I love the places like the the Kursaal on there called the curse or amu[…]
[…]ing, it was considered a joke among film technicians. In the second half of my career, it advanced from strength to strength, not just in techniques, colour, satellite, outside broadcasting, and so on. But in maturity and confidence of all kinds, and with it, the public addiction to television deepe[…]
[…] and that was it. And of course I ran the laboratory, so when I had to print, I had to print on fine grain stock you know, and I think I had it amber coloured or something, one of these toned things you see. And I was staggered, I'd never done a bit of photography in my life, quite literally - it wa[…]
[…]peech day a couple of times. It sort of went down rather well and became quite popular.KGY: Silent of course.CC: Oh yes. And black and white although colour did exist but it was the old Kodacolor, a lenticular process which wasn't particularly good.KGY: Did they use a lenticular process.CC: Yes for […]
[…] terrific cast, terrific cast! All the best actors there were in England in it, and it had five periods of changes of costume. I wanted to make it in colour and I wanted to make it on exterior. And Bob Morley said, "Look here, no one would..." he'd made 'The First Gentleman' but he wouldn't make the[…]
[…]hing a film called, which was quite interesting, a film called Pagliacci, and I think I'm right, I think it's the first British film ever to have any colour in it.LW: Richard Tauber. Yes, it's got a sequence in colour at the end and at the beginningWT: Do you remember you the director was.LW: I can'[…]
