Norman Fisher

[…]40. Left for BEF HQ at Arras, that's when I changed over to the army. And Paris oh yes Paris. January 24th patrol demonstration; 28th presentation of colours to Royal Ulster Rifles, and so on, and so forth; 30th First militia fighting unit in France, I don't know what that was actually; contacted In[…]

Peter Proud

[…]bsp;he wasquite a queen. He used to use Max Factor No. 24. It was thewrong colour for him and made him look like an Indian. It was always onthe towels,&nbs[…]

Elizabeth (Liz) Bale

[…]always experimenting, and I was struggling the other day to remember, because there's something which I don't think I ever fully understood about the colour blue. And one of the engineers came up with a scheme which I think was called colour separation overlay. And we a few years later, when I was w[…]

Barrie Merritt

[…]at was the early days of television, because I can remember us doing all of our film work in black and white. And there was a point when we went into colour, so obviously the trace and paint department without him to use colour. But yeah, in the early days, we were doing black and white basically, v[…]

John Turner

[…] to 76 Wardour Street, Ideal Films. I knew nothing about the film business except I used to look at all the trade papers. At that time they were very colourful, and that interested me in films. In Ideal films I was office boy to start with and graduated up a bit to farm out posters and stills to run[…]

Dennis Main Wilson

[…]y is a genius, I think I know Barry is a genius, he is a writer, he is a painter, he is an expert on 18th and 19 century English and continental watercolours. And he paints quite well himself. He is a brilliant all-round character actor, but genius, thoroughly professional and knows both ends of a c[…]
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