FROM START TO FINISH – FROM A TECHNICAL POINT OF VIEW Thanks to Ian Noah, Alison and others, there […]
Martin Spence’s Mem & Arts review for discussion at Management Meeting on 14 June
[…] which explains about the Hist ory Project and that copies of completed interviews are deposited with the BFI National Archive […]
1. Introduction1.1 These terms and conditions shall govern your use of our website. 1.2 By using our website, you accept […]
[…] an industry-themed oral history project, and also provides access to our archive collection of oral history interviews. The site is designed for the […]
[…] Introduction 1.1 These terms and conditions shall govern your use of our website. 1.2 By using our website, you accept […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]everybody who is handling and copying from, whether that’s photographically or digitally, the film collections here including restoration projects. I often say it’s everything we, everything the BFI chooses to do. It’s even sort of, more precisely defined, everything the archive decides to do with t[…]