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[…] it is essential to protect these wider interests and those of the worldwide cultural heritage.” (Source: The National Archives) As […]

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[…] an industry-themed oral history project, and also provides access to our archive collection of oral history interviews. The site is designed for the […]

Terms of Use – old

[…] Introduction 1.1 These terms and conditions shall govern your use of our website. 1.2 By using our website, you accept […]

About Our Collection

[…] History Project interview recordings were the first major oral history project of its kind; to record the working lives of professionals who […]

Terms of Use

[…] Introduction 1.1 These terms and conditions shall govern your use of our website. 1.2 By using our website, you accept […]

Waseem Mahmood

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

Kieron Webb

[…]everybody who is handling and copying from, whether that’s photographically or digitally, the film collections here including restoration projects. I often say it’s everything we, everything the BFI chooses to do. It’s even sort of, more precisely defined, everything the archive decides to do with t[…]

Robert Love

Robert Love [Start of Recording] [00:00] I: So we're interviewing Robert Love. I'm the interviewer, Tim Amyes. Robert was here from '76 to '93? R: Till 2001, I think! I: 2001! 1976 till 2001. And today is the 28th [May, 2017]. So there we go. We've identified the tape. So wh[…]
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