Search Results for: Diverse Production

[…] camera. They always gave you a list of films in production, and I thought I'd love to get round a […]

[…] things in television and there were, you'd see jobs in production, I fancied that so I used to apply, and […]

[…]ler: Also it wasn't a total film fan magazine. What I liked about it were the stories from behind the camera. They always gave you a list of films in production, and I thought I'd love to get round a studio and see what's happening. So I looked at the films "Upcoming" and I saw that Cineguild had a […]

[…] Thunderbirds Denham Film Laboratory Marconi BBC BBC SIS HIghbury Studios Diverse Production Shepherds Bush Studios Spire Films B-C Associates BECTU Rank […]

[…] across both industrial and critical contexts. Despite Harris’s long and diverse career spanning six decades, this article will focus particularly […]

[…]– he took quite a big step, but never regretted it. I hope I can say that. And so we then started producing gardening programmes, so there was a very diverse mix; and then the person who then became my long-term business partner at Flashback, David Edgar. He’d been a cameraman. A different approach […]

[…] because at that time Tonight was working from Alan Blowerey?, at the New Barnet studios, I believe  and the equipment that we use was very diverse, lots of different makes, and, all had its idiosyncrasies. And I remember well, with Alan Blave? his Wall camera being stuck in the middle of […]

[…]which was a year later, I joined the Cambridge University's Mummers and the ADC and my career as a director took off. My  first significant production for the Mummers was Ondine by Jean Giraudoux and it was a huge hit. I'll never forget that John Tusa played the Knight, the eminent John Tu[…]

[…]rld had a huge travel library and many of his photographs so with big photographic libraries, like LME, and so on.Speaker 2  8:06  So quite diverse interests. Yes,Unknown Speaker  8:09  yes. Yes. He lives down in South Devon.Speaker 2  8:13  So was your father supportiv[…]

[…]s the centre of a tremendous battle between Microsoft and Stapleton Stapleton when he was a business manager, Microsoft was the creative in charge of production chat. And there was a dark horse or two in the background as well, all of them were doing their best to try and be the top man and an actua[…]