[…] young girl? Did you always want to go into the film business ? REN ÉE GLYNNE: Entertainment business, behind stage. […]
[…]p;And and I think I know the answer, but does your family - prior to your own career - does your family, or has your family, had any connections with film, television, the area of work in which you've made your your life's work? Penny Woolcock 1:09 I I've had no family connection wh[…]
[…] down the drain later and is now up the drain.DARROL BLAKE: Did you have any ambitions when you were a young girl? Did you always want to go into the film business?RENÉE GLYNNE: Entertainment business, behind stage. I really wanted to be, probably, in the wardrobe of theatre or an ASM [Assistant Sta[…]
[…]nment History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed.CITATION: Women’s Work in British Film and Television, Daphne Shadwell, http://bufvc.ac.uk/bectu/oral-histories/bectu-oh [date accessed]By accessing this transcript, I confirm tha[…]
[…] Drama Departments of BBC, ABC and also controller of Canadian Film Board. Intervi ewer Norman Swallow (NS ) with Alan […]
[…]dapest which was where all the journalists and actors and writers met and they owner of that cafe got a projector and put up a sheet and he had these film shows. And my father took Alex to see it and it seems, according to my father, that Alex said 'that is the thing for me' and that is when he got […]
[…]p;Well, I I learned, I did learn German. Can never master the grammar, no, very well, no.Unknown Speaker 2:31 And then you started in the film industry when,Unknown Speaker 2:37 as in 1930 I started at Gainsborough studios in Islam what made you chuck up first and go there? O[…]
[…]er and Sidney ColeInterviewee: Tom PeacockTape 1, Side 1Sidney Cole: Well it's nice to meet you Tom and to ask you about what you remember about that film which we were both associated with at Denham Studios all those years ago, 1942 in fact. Would you like to tell me about your involvement in that?[…]
Elizabeth Furse DRAFT Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…] Crescent, which was 7 Notting Hill, almost exactly where the film was, the Rhys Ivans, is it Rhys Ivans?, Welsh […]