[…] a pain to do was Decline and Fall, Evelyn Waugh. I wrote the script with Hugh Whitemore, whom I suggested to the producer, who was a man called Ivan Foxwell, who'd made um - a film about one of the wartime escapes. I can't remember - he made The Quiller Memorandum just before this with Guinness and[…]
[…]ight. He, did he finance it personally, or, or just organised? He’s the executive producer isn’t he?
Well, he was executive producer, yes; it was, Fox wasn’t it, Fox?
I guess it was Fox money, I don’t know.
Or was it Paramount? I think it’s Paramount, Paramount who did it. Because I remembe[…]
[…] over a jar. [Side 5, 43 mins]The moment the election booths close at 10 o’clock on voting day, they can’t stop us. So I put up the idea to Paul Fox who then I think was Controller 1, wasn’t he?NS: Yes. DMW: So that's it, we had studio E, I'd think, in Lime Grove, built a pub. I d a minima[…]
[…]d when we started the programme 54 Sports View… I:  Ah yes, that’s right. My next point [laughs] yes. P:  …Paul Fox, he was moonlighting on the sports columns of the People and also writing the commentary for Television Newsreel and he came to me and said he had[…]
[…] this country. He said of course he'd left Pathe and was joining British Movietone News. British Movietone News consisted of Harmsworth and of course Fox 20th Century. Well, at the beginning of the foundation of that reel, a number of Americans came over to teach us how to use sound. And he said to […]
[…] the event.BH: This was Castleton Knight. FL: No, it was not Castleton Knight, it was done for Fox. Whatever his name wasfor Fox. Castleton Knight came in later on. We didn't get Castleton Knight unti[…]
[…]y times, and delightful wife. He was a very charming man who, again, see life was too kind to him to have any sort of great ambitions, same with Ivan Fox, where I work believe years later. Sir Noel, delightful person, the English on cooler memorandum. He was a producer. And the delightful people, bu[…]
[…] You're freelancing, then what came along? Andy Worker: Then Ben Henry and I formed a company and we made three pictures there with 20th Century Fox, so again, American money mainly but some National Film Finance Corporation money. Roy Fowler: Yes. Were these for primarily domestic release[…]
