Bill Girdlestone

[…]er, cut out the activator, the carbonate and so forth, and gave my developing time a bit longer and we got a much better picture. Well, the next year Gaumont made a picture in Egypt and they shot Turnpenny off to Egypt to Cairo. Well, you see you hadn't got aeroplanes to bring the stuff back and the[…]

Vernon Sewell

[…]h your existing rank plus time-out." So I took it. I came out of the Navy just before the invasion, which was silly really. And then I got a job with Gaumont. Now, it was very highly paid and I had - the programme was arranged, the films - the three films I was going to make in the first year. 'Hous[…]

Alan Izod

[…]  25:00  Yes,I do. Because there was a strong connection between this and what I subsequently did. I think the most interesting people were Gaumont British instructional, was then , headed up by Bruce Wolf, remember, and he  that he had no studio of his own at the time and used to use[…]

Dudley Lovell

[…]tter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BEHP wants t[…]

Alan Lawson

[…]that was the first sound film made at the Bush. Maurice Elvey was the director, Jameson Thomas and Benita Hume, Humberston Wright and the rest of the Gaumont repertory company were in that. I was still, I think by that time I'd been upgraded, I was no longer the number boy, 1 was the first assistant[…]

John (Johnny) Goodman

[…]ter Peek got the sack and I stayed on! And after another - whatever it was - a year or nine months, I finally got a break into the cutting rooms with Gaumont-British Instructional, on the top floor of Lime Grove. And I made all the mistakes that you do when you're training to be an editor. Dropping […]
Scroll to Top