Norman Fisher

[…]s the De Forest patent, the AEO-light, which Movietone had acquired and it made sound newsreels possible. And when other newsreels started up such as Gaumont, Paramount, Pathe, they had much more clumsy equipment. Pathe had Visatone recording on a separate recorder instead of in the camera. The reco[…]

Bernard Vorhaus

[…]ollowing film, The Ghost Camera. I had seen some unusual cutting on a newsreel, was it either British Movietone or um...Sidney Cole: Yes - no, he was Gaumont British.Bernard Vorhaus: Gaumont British that's right. And er - I wanted to find out who was doing this. And it didn't worry me about giving a[…]

Adam Dawson

[…]ersity Film Unit also had meetings where they would get hold of people to talk to us.  And I got hold of Hugh Gray, who was the research at Gaumont British at Shepherds Bush.  And it was through him that I was able to do anything at all on films because there's no training, no wa[…]

Richard Levin

[…]for me, which was a little bit it wasn't it wasn't much but it sparked the whole business off, you know, and he's got me a job. As an apprentice with Gaumont British that the Shepherds Bush Pavilion, which was in the largest in modern Europe.And 3000 seater, and I worked for the UN I put out in the […]

Christopher Challis

[…]were all that keen. They thought my education was all rather wasted. During the course of business my father met Castleton Knight who was the head of Gaumont British News, quite a character, an extraordinary chap. He did a lot of extraordinary publicity stunts at a time when newsreels were in enormo[…]
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