Renee Glynne

[…]y I am furious. What an insult.DARROL BLAKE: Indeed. There are various little things after Brass Monkey but quite soon you went to work for Hammer Films.RENÉE GLYNNE: Yes, it was quite soon. Let me think if it really was soon. Idid Val Guest’s William Goes to Town before Hammer a[…]

E

[…] the autumn of 1935, the old banks were starting to hammer on the Ostrer's doors, and with six pictures, I […]

Tim Emblem - England

[…]day’s work and have it all wrapped up and ready for transmission like that. So you could be a bit more painstaking about the process rather than just hammering through something live on air, certainly towards the end of live transmissions every so often you’d find that the transmission would have be[…]

E M (Michael) Smedley Aston

[…]er: So what after that then? O.H.M.S.?E.M. Smedley-Aston: Well it was a question that by the autumn of 1935, the old banks were starting to hammer on the Ostrer's doors, and with six pictures, I imagine that must be several million pound even in those days out in production money. And they[…]

edward-carrick-history-project

[…] bow. Edward Carrick: It was I was doing something for Hammer Film Productions as Art Director. Sid Cole: But it […]

Tilly Day

[…]y of the Marie Celeste. She joined the Auxiliary Territorial Service during WWII and subsequently returned to the film industry, working for Rank and Hammer studios among others. Her final film was One of Our Dinosaurs is Missing (1975). SUMMARY: This interview, conducted by Alan Lawson and Sid Cole[…]

Tilly Day

[…] subsequently returned to the film industry, working for Rank and Hammer studios among others. Her final film was One of […]

Gerry Weinbren

[…]m as a filmmaker. And movie but those programs did very well. And it was after that the discussion started that I and then a lot of other people were hammering away and hammering away in Hemingway after all and can only hammer away at the BBC virtually then. And. And in desperation the BBC said alri[…]

Simon Lund

[…]hanged which side of the roll so that’s definitely a stabilisation thing in the colour process. I’ve also seen film where it had rolls of outtakes, a Hammer film actually, the… before wet-gate printing came in they would lacquer films, pretty much all films were lacquered and what would happen is, i[…]
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