[…] very good. Breaking camera, moderate, I suppose. But yes,Speaker 2 27:37 guy, guy Green has, has done some very good stuff. He was great hammer man, as has done some good, good work as director, but not that great you have, perhaps he hasn't had the opportunity. Freddy Francis, you know[…]
[…]as that one worked out, Georgie said I don’t need the group, Daphne. So they came but we sent them home, to their delight. But we got very badly hammered and from then on – that was probably why Ready Steady Go! went down, thinking about it, because it became so expensive.JP[…]
[…]t a guy, a camera maintenance man who was at Danziger’s Studios called John Kerley. And he, when it all wrapped up went to Bray Studios for Hammer because they’d recently bought themselves a new camera, [Mitchell] BNC and he was employed as a maintenance engin[…]
[…]merica they all have that and that did away completely with all the shadow off your neck and everything. But I mean the fact that it was a little bit Hammer films was neither here or there, anyway. So the set was there, itwas in her home and so forth, and she’d had loads of fresh flowers put in the […]
[…]he sort of thing that would happen, because I remember the openness I went to the big power stations, drive and the hurdlers and the power behind the hammer athletics, all this sort of thing.Roy Fowler 14:20 And this was all original footage that you would shoot it. You say you went to t[…]
[…];0:06:30 MIKE: Was that stop frame animation you would use there or what? What sort of techniques would you use there? 0:06:35 JOY: What, on the hammer? 0:06:37 MIKE: Yeah. 0:06:38 JOY: On the hammer? No, it wasn’t stop frame, it was shot… not even at high speed, maybe it was shot at […]
[…] Bon. In the meantime they sunk the Eagle , they hammered the Indomitable which was a brand new aircraft carrier, […]
[…] from the air. It had all the stars and the hammer and sickle on the top! [Laughs] We thought we'd […]
[…]..Alan Lawson: [Laughing]Cyril Page: ...and errm...we got rid of that quick, because er...being recognised from the air. It had all the stars and the hammer and sickle on the top! [Laughs] We thought we'd better get rid of that! But um...No, it was...it was quite an experience, and er...I came home,[…]
[…]the only film actually I worked on with him was – oh no, there were a couple – a little film with Max Bygraves called Charley Moon, and one with Hammer, The Abominable Snowman, would you believe. And then after that he was trying to set up The Key and it was being very slow and L[…]
