Recording*&*Associated*Data**Field&Name*Code&name*Module*Notes*Visiblity*Audio&(Soundcloud)&field_audiosoundcloud*SoundCloud*Multiple*files*can*be*added*Public*Video&(Vimeo)&field_videovimeo*Video*Embed*Multiple*files*can*be*added*Public*Video&Clip&(YouTube)&field_videoembed*Video*Embed**Multiple*files*can*be*added*Public*Interview&Recording&&field_interview_recording*Long*text***This*field*will*become*obsolete*once*all*recordings*have*been*transferred*Not*true.*We*will*always*keep*the*original*Absolutely.*This*is*just*about*the*move*from*Videos*being*served*from*Google*(the*original*method)*and*recordings*on*Vimeo/SoundCloud.*At*the*moment*Videos*still*on*Google*are*not*showing*up*on*https://historyproject.org.uk/videoPrecording*and*need*to*be*transferred*when*there*is*capacity*on*Vimeo*weekly*limits.*Public*Production&Media&field_production_media*Taxonomy*Options:*Audio,*Video*Public*Original&&field_production_format*Taxonomy*Open*Taxonomy*What*does*this*mean?**As*we*do*the*audit**we*will*need*to*be*able*to*log:*•*CD*copies*(&*quantity*of/*number*of*CDs)*•*Video*formatsP*vhs,*DVCam,*Mini*vU*Umatic*,*digibeta*The*open*taxonomy*means*all*formats*can*be*added*as*needed*and*that*clicking*on*each*format*will*bring*a*list*of*all*interviews*that*also*have*recordings*in*that*format.**This*field*was*for*the*original*recording*so*I*don’t*think*quantities*apply*here?*(See*legacy*access*below)*HP*Members*Duration&(mins)&field_duration*Number**Public*No&of&Tapes&field_tapes*Text***Members*No&of&sides&field_sides*Text***Members*Digitised&field_digitised_taxonomy*Taxonomy*Options:*Yes/No*Members*Formatted: Indent: Hanging: 0.5 cm, No bullets ornumberingFormattedFormatted TableField Code ChangedComment [SM1]: *Formatted: Normal, Indent: Left: 0.12 cm, No bullets […]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
Peter Lamont Production Designer Interviewer: Paul Frith (PF) Date: 28/07/2018 Total Length: 01:25:07 PF: This is an interview with Peter Lamont, 24 July 2018. I just want to thank you Peter for taking part in this. So just to start, perhaps you could tell us a little bit ab[…]
[…] films. And I did one with a sports writer and novelist Brian Glanville. did one with Dan Salento who was an actor and novelist as well. He's been at Sean Connery. And I did one with Tom Stoppard,Unknown Speaker 46:46 who at that stage was still I mean, he was a big name, but not part of[…]
[…] I think being quite generous about there were always Good Old Days or whatever, the transition from what I would call the Gus Macdonald years to the Andrew Flanagan years, that was the hardest thing that I had to put up with politically and I remember - and I don't know whether other people have me[…]
[…]out of malice reunion with Mike Yeoward recently, who was a big star and speaks very warmly about the current generation, Rory Bremner and John Cole. Sean impression it's around now. And we've had a reunion we all had a lunch together it was great. But it was a different era because now you've got 1[…]
[…]h Entertainment History Project Interview No. 710 Interviewee: Anne Hanford, formerly Head of Television Library Services at the BBCInterviewer: Sue MaldenTranscriber: Linda Hall-Shaw SUE MALDEN: Thank you very much for talking to us Anne.ANNE HANFORD: It’s a[…]
Peter Mullins BEHP 0707 transcript.Interviewer: Darrol Blake (DB)Interviewee: Peter Mullins (PM)Other crew: Dan Thurley (camera); David Sharp Darrol Blake: So, can we begin by saying who you are, where you were born and when?Peter Mullins: Right. My name is Peter Mullins, I was born in London, […]
Interview with Aida Young The copyright of this recording is vested in the BECTU History Project. Aida Young, film and TV series producer. Interviewer Teddy Darvas. Recorded on the 29th September 1[…]
